Daily tips about polymer clay art and artists from Cynthia Tinapple
Oregon’s Jennica Elizabeth Blanchard creates pen and ink illustrations on polymer plates in her Etsy shop. While she calls them polymer plates, I’m guessing that she’s making her base pendants from liquid polymer (correct me if I’m wrong).
CraftSynergy has an interview with the artist in which she describes her work as “delicate, detailed, visceral.”
Perhaps it’s the fragility of these pieces that appeals to me in my fragile condition. I’m on the mend.
I’ve been watching Dylan Edwards post his daily polymer clay monsters for months. They’re particularly relevant today when I could swear that’s what’s living in my lungs though my monsters aren’t that cute, I’m sure.
Let’s hope they scurry away soon. Meanwhile, visit Dylan and ponder this,
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| Newfry | Kato | Floyde |
Here are three romantic approaches to polymer clay valentines and matters of the heart.
Donna Kato’s photo transfer and writing combination exudes romance and mystery embellished by a singular pearl.
Geraldine Newfry’s “Beloved” was created as a Valentine’s Day gift for her husband and is rich with the iconography of their shared lives.
Tejae Floyde tucks her hearts inside each other. She will teach her first online course on encased hearts on February 8. Here are some lovely pictures of a batch entering the oven. She was preparing for her month long exhibit opening this Friday at the Artists’ Nook in Ft. Collins, CO.
Here are a couple of openwork polymer clay pieces by Maryland’s Keith Brown to tantalize you this Monday morning.
After looking at this for a while I’m still not sure how he constructs his works and I’m intrigued. You can see that Keith has mastered the technique if you look at his bowls and trays.
Light and shadow, positive and negative - a mystery to start your week. Thanks to Bettina Welker who pointed out the new additions.
Donna Kato has provided a weekend treat for us. Just when I think canes are so “over” and boring, Donna brings back canes that pack a wallop.
Her end caps are genius and her palette is simply lovely. She describes how she cuts thickish slices and bakes her big beads on cornstarch to minimize distortion.
Return to your studio with renewed enthusiasm. Thanks, Donna (and thanks to Barb Fajardo who spotted the new beads).
I bought some Lumina air-dry polymer clay months ago when I first saw Camille Young’s work. Camille’s leaf tutorial and the ginko leaves outside my back door are prompting me to finally open the packages and give it a whirl.
How nice of her to share her techniques with us. Camille makes it look easy…experts always fool us that way. Her colors are lovely and the compositions pleasing. Go have a look.
I don’t know much about Massachusetts’ polymer clay/mixed media sculptor Max Payne but I love this slide show about her. It makes me want to poke around in her studio and rummage through her shelves of work.
Her sculptures are based on archetypes of myths and legends of the world. They represent “humans’ place in the world,” and she said, “we are a part of it, not the only thing.” Some of the sculptures convey this theme because they have human bodies with various animal heads.
In the midst of today’s hustle and bustle, it’s comforting to come across this quiet, thoughtful art. Here’s a little more about her.
Vermont’s Celie Fago has updated her site and added a blog (with only one lonely post at the moment). Her gallery is full of stunning PMC works sometimes combined with polymer clay for color and texture. Though polymer plays a less prominent role in her current work, she uses it masterfully.
Take a look at my ten year old pictures from the national retreat when Celie burst on the polymer clay scene. She helped move the community from caning to carving, inlaying, and sanding the medium. The beauty of her tools made me realize how thoroughly her aesthetic permeates her life.
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