January 2008

Kato's Big Beads Revive Canes

by Cynthia Tinapple on January 26, 2008 · 3 comments

Donna Kato has provided a weekend treat for us. Just when I think canes are so “over” and boring, Donna brings back canes that pack a wallop.

Her end caps are genius and her palette is simply lovely. She describes how she cuts thickish slices and bakes her big beads on cornstarch to minimize distortion.

Return to your studio with renewed enthusiasm. Thanks, Donna (and thanks to Barb Fajardo who spotted the new beads).

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Young's Lumina Leaf Tutorial

by Cynthia Tinapple on January 25, 2008 · 5 comments

I bought some Lumina air-dry polymer clay months ago when I first saw Camille Young’s work. Camille’s leaf tutorial and the ginko leaves outside my back door are prompting me to finally open the packages and give it a whirl.

How nice of her to share her techniques with us. Camille makes it look easy…experts always fool us that way. Her colors are lovely and the compositions pleasing. Go have a look.

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Payne's Studio Slideshow

by Cynthia Tinapple on January 24, 2008 · 2 comments

I don’t know much about Massachusetts’ polymer clay/mixed media sculptor Max Payne but I love this slide show about her. It makes me want to poke around in her studio and rummage through her shelves of work.

Her sculptures are based on archetypes of myths and legends of the world. They represent “humans’ place in the world,” and she said, “we are a part of it, not the only thing.” Some of the sculptures convey this theme because they have human bodies with various animal heads.

In the midst of today’s hustle and bustle, it’s comforting to come across this quiet, thoughtful art. Here’s a little more about her.

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Fago's site update

by Cynthia Tinapple on January 23, 2008 · 6 comments

Vermont’s Celie Fago has updated her site and added a blog (with only one lonely post at the moment). Her gallery is full of stunning PMC works sometimes combined with polymer clay for color and texture. Though polymer plays a less prominent role in her current work, she uses it masterfully.

Take a look at my ten year old pictures from the national retreat when Celie burst on the polymer clay scene. She helped move the community from caning to carving, inlaying, and sanding the medium. The beauty of her tools made me realize how thoroughly her aesthetic permeates her life.

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