By the end of last week, you could spot Meisha Barbee’s work on the neck of many Synergy shoppers. She combines simple canes and soothing colors in graphic ways with subtle textures woven in. The modern minimalist design continues through her findings. The harmony and detail in these pieces make them very pleasing to wear.
Since Meisha has no web site (her studio and shop are in the Spanish Village Art Center in San Diego, CA), I’ve assembled a few pictures here. Her brothers are glass artists and they urged her to enter her work in the Niche competition which she and Loretta Lam won earlier this month. Have yourself a winning weekend.
by Cynthia Tinapple on February 28, 2008 · 6 comments
by Cynthia Tinapple on February 27, 2008 · 9 comments
Even though no one brought polymer clay to work on at Synergy, you could tell that participants were filling their heads with ideas.
These ping pong balls covered with polymer by Gloria Askin made me smile and shifted my brain into high gear. They’re super light.
Robert Dancik showed wire forms covered with pantyhose and made rigid with white glue. Yes, you can cover the pantyhose/wire/glue forms with polymer and bake them. His classes made your head reel with the possibilities.
The glowing neon colors and velvety texture in this necklace by California’s Cheryl Lois Walker made me reconsider using Ultralight clay as a base as she did. She packages her necklaces in a clear plastic box with a matching bead glued on the lid as a handle. Nice presentation.
The microwave clay from Eberhard Faber has me stumped and wondering. Could it be useful? Do I want to use it in my microwave?
Donna Kato has information about the reformulation of Kato Polyclay on her site plus a nice album of conference pictures.
It takes time to process ideas and figure out which ones fit with your style, your ideas, your voice.
by Cynthia Tinapple on February 26, 2008 · 8 comments
I’m digesting the ideas and information from the Synergy conference and may be rolling out new materials for weeks.
These new polymer clay earrings by Judy Kuskin were jaw-dropping (to use Ponsawan’s terms). By the time I got back to the gallery to buy some, she had sold out.

Don’t they remind you of the primitive ones by Philadelphia Perishables we looked at a few months back? There must be a tribal trend in the air.
Seeing Katherine Dewey’s work up close was stunning too. The detail and the power of this “Family Tree” piece was amazing.
The slides from my speech are available here. You may be able to glean some Synergy excitement and ideas just from following along.