by Cynthia Tinapple on November 28, 2008 · 6 comments
Spain’s Natalia García de Leániz (Tatana) adds a colorful end to our week with these polymer clay slices sewn onto a braided leather necklace and, below, faux heishi strands.
I’ve banked lots of ideas this week and am anxious to get back into my studio right after I spend the weekend gabbing with my visiting siblings and children.
The Thanksgiving dishes are done, the turkey leftovers are ready for leisurely grazing. Have a great weekend.
by Cynthia Tinapple on November 27, 2008 · 3 comments
Christi Freisen’s “Face in the Crowd” polymer clay wall sculpture is my all-time Thanksgiving favorite because it epitomizes what my house looks like on this feast day (28 for turkey dinner) and makes me smile.
It also reminds me of what I’m thankful for…the polymer clay community. We’ve collected an interesting bunch of artists from around the world in three short years.
I’m thankful for your continued participation in this site and inspired by the work that you bring to it. Thank you. And happy Thanksgiving.
by Cynthia Tinapple on November 26, 2008 · 6 comments
Louise Fischer Cozzi’s polymer clay “Wholely Necklace Belt” was awarded first place in the clay category of the Bead Society competition and is on display at The Bead Museum in Washington DC.
The piece can be worn as a double necklace (shown here), as a very long single necklace, or as a belt. The clasp is fun and almost impossible to find.
In addition, two “think” pieces appeared today to ponder as the turkey brines. The first from Kathleen Dustin on persevering in lean times and via Libby Mills, a link to an Alicia Tormey post on motivation.
by Cynthia Tinapple on November 25, 2008 · 3 comments
Valerie Aharoni recently updated her site and added a blog. In this post she talks about baking polymer clay beads right onto wire (or bead thread) to get that floating effect. No crimp beads! Such a simple, elegant solution. (I know that Valerie’s not the first to do this. It caught my eye.)
Look at the textured beads, like this globe, on her Flickr site as well.
Why is it that I discover things I’d like to try when I’m least able to get to the studio…what with preparations for T-day?
I’m also thinking about Lorrene Davis’ theory that the size of a woman’s jewelry is directly proportional to her age. I looked at my visiting daughter’s tiny delicate pieces and wondered if Lorrene was on to something.