Julie Eakes is pushing the boundaries of extrusion-based mosaics again. This time she used a looser palette and a more stylized image as her starting point. Would the image still be discernable?
This is the small version of the finished cane. I’m partial to the dimensional original cane. Mixing the palette for one of these works is an arduous dance between Photoshop and the pasta machine. She created 2,000 color samples on the computer to arrive at her last palette. No small feat! Read her story here.
The cable guy appeared and we’re back in business. Heaven!