Extruding with a twist

Brockstedt earrings

Germany’s Cornelia Brockstedt shows us another extrusion trick with these string earrings.

Thin spaghetti-size strands of polymer have been gathered at the top and bottom and formed into a pod shape. Hand-formed wire bead caps join the pod to the findings.

Cornelia’s Flickr pages are full of experiments and research. She has a background as a goldsmith and graphic designer.

Cornelia’s built an impressive repertoire of textures and shapes, submitting one each week for the guild’s Club 52 project.

Are you ready to try extruding?

Beach bicones, spirals and stars

Laura Timmins’new polymer Ocean Yoko necklace sends us back to the beach with its wavy bicone beads, spiraled shells and starfish strung on cord that she hand twists from embroidery thread.

It’s as if she cast a net and strung up everything she caught.

Yoko is a new addition to Laura’s Swirl Stone line for galleries which, as you might guess, are mostly located on the seashores.

Check out the matching earrings.  What inspires you this season?

How to build a design

One of the satisfactions of attending a workshop for polymer artists is watching how others work.

The black marks that Loretta Lam sketched across these beads gave me a clue as to where she was headed with her design. The baked gray base beads are made from blended scrap clay (ultralight and polymer) which she covered with veneers, adding a few sculptural elements and textures.

This week Loretta posted a picture of the final necklace with the juxtaposed lines, patterns and shapes all in place. The mixture of elements forces your eye around the piece and offers something interesting no matter where your focus lands.

You can read more about Loretta’s art and business in this recent interview and on her Facebook fan page. Does this make you rethink your process?

 

Polymer stackers

Wallace stacker beads

“Stacker beads,” Amy Wallace admits, “are something I could make until the sun blows up.” This Cincinnati artist has been working on spirals since 1995 and offers a how-to tutorial on her Etsy shop. This necklace is one of her bright variations.

“For me, polymer clay isn’t about making the most complicated cane, it’s about creating inventive, spontaneous designs with hints of the past thrown in. Color is my second language,” she says.

Amy mixes seed beeds, fiber, paper, buttons into her art arsenal. Her blog is a good read with a free tutorial tucked in from time to time. Be sure to check out her polymer and seed bead embroidery and her freeform chevron beads on her Facebook page too.

Polymer and Prismacolors

Clarks Prismacolors

Colorado’s Maria Clark shows us how a limited toolbox can force you to dig deep into your creative resources and try something new.

Maria had some time on her hands because she was traveling. She purchased a package of white clay, a small set of colored pencils and a bit of burnt umber and gold metallic paints. Her only other tools were pens, pencils and a crochet hook she’d brought along.

Who knew you could get such deep colors with Prismacolors on polymer? (See Tuesday’s post on Libby Mills to see another example.) Thanks to Marian Hertzog who sent Maria’s link along.

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  • I'm Cynthia Tinapple, an artist, curator, and leader in the polymer clay community for over 20 years.

    On this blog I showcase the best polymer clay art online to inspire and encourage you. I also send out weekend extras in the premium newsletter, StudioMojo.

    You can find my book, Polymer Clay Global Perspectives, on Amazon.


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