This dish from France’s Mouna Cadra waves gently on the tabletop. Its vertical patterns make your eyes trace up and down the lines.
Mouna cured the white clay and then added the designs with pigment markers. The thought of drawing on baked polymer sounds refreshingly uncomplicated, It must be a challenge to draw those squiggles and dots with precision and without smudges, however. Read more about Mouna on her site and Facebook.
Speaking of things being harder than they look, I’m off to Pittsburgh’s Into the Forest weekend and will compile all my snapshots and first impressions into a report for tomorrow’s StudioMojo. I hardly know what to expect! Join us to see the results on Saturday morning.