This brooch by France’s Isabelle Chatelain speaks to me and it’s too delicious to just let it float by on Flickr. Let’s grab it and mull it over for a Friday minute.
The repeating circle patterns both change and stay the same. This is polymer mokume gane at its best and the color combination shows off the pattern nicely. It hints at Moorish mosaics and Byzantine ceilings.
Isabelle mixes bits of this design into other brooches. Her ability to assemble compositions from small chunks of mokume gane plus textures and colored shapes is remarkable. Yummy.
A class with Ronna Weltman pushed Seattle’s Sue Ellen Katz to begin making polymer Talking Heads five years ago as a daily creative meditation. (Here’s a PCD post about the beginning of her work.)
The talking heads have evolved into elegant magnetic brooches embroidered with glass beads and semi-precious stones. Sue Ellen has created hundreds of polymer faces in three collections: Ancient Entities, Goddesses and Chinese Zodiac.
Alese, The Light Bearer, is an Ancient Entity painted with alcohol inks and surrounded with seed beads, vintage beads and crystals. She is a 2″ x 4″ magnetic brooch.
When not worn, Sue Ellen’s pieces are richly framed in shadow boxes that she designed. The deep, fabric-lined frames have metal backs that hold the brooches and create a dramatic presentation grouped on a wall.
The effect of these collections (photographed by Douglas S Yaple) is captured on Sue Ellen’s new site (click the Display it/Wear it headings to see the frames). See more on her blog, Facebook and Pinterest.
Julie Picarello allowed herself only one imprint tool for these Lunar Flowers. She haunts hardware stores looking for metal parts that leave unusual marks and shapes. For this exercise Julie challenged herself to move out of her comfort zone and design in 3D in a more loose way than usual for one day.
” I threw all caution in the wind, and distorted and manipulated on purpose. It was a strange feeling, and I might even have whimpered a little when I forced myself to cut a hole off-center. But by the end of the day, I was hooked on these simple little components,” she says.
She admits that she’s returning to her beloved imprinting technique, “But it feels good to have dipped a toe in uncharted waters, and lived to tell the tale.”
Her new works also include crackle surfaces and patterned edges that haven’t appeared before. Have you ventured beyond your usual depth lately?
Wanda Shum’s butterfly brooches alight gracefully in her booth on a round potted bush. The spring scene invites shoppers in for a closer look. A Vancouver artist, Wanda is selling her wares at a Toronto wholesale show this week.