
Katrin Neumaier is hooked on Pardo translucent clay and she’s becoming expert at showing off its glowing properties with these brand new beads and watery earrings. Here’s her polymer beach glass from October.
The recent hollow forms make the clay even more delicate and ethereal looking as she pushes Pardo in new directions. We can look forward to seeing more of this faux glass trend in 2012.
by Cynthia Tinapple on December 16, 2011 · 4 comments
You’ll want to look closely at Bettina Welker’s newest faux raku bangles and brooches. The densely crazed surface of her faux technique was achieved after much experimentation.
Her process is a further exploration and refinement of the ideas she developed for a class last summer. This will be a fun one to watch.
Let’s hope your weekend isn’t totally crazed! Bad pun but it fits.
by Cynthia Tinapple on November 1, 2011 · 7 comments
Tory Hughes made this new necklace specifically to wear at last week’s RAM gala. It’s part of her new SeaCliff series using various techniques with the major elements pin-hinged together. Sea Cliff is a reference to an area of San Francisco that Tory sees as full of light, color and energy.
The necklace was on Tory one minute and then on Penina Meisels the next. (Tory decided it looked better on Penina.) Maggie Maggio’s necklace migrated to Cynthia Toops’ neck. It was as if the artists were switching nametags. The game to keep up with who was wearing whom made me realize how good it is to develop your own signature work.
by Cynthia Tinapple on October 27, 2011 · 9 comments
These Embrace beads by Steven Ford and David Forlano showed up in a recent blog post about how their work touches on themes similar to those in the Art Nouveau period. They share a focus on organics and a sense of movement as illustrated in these luscious new beads.
RAM Redux
A slideshow about the Racine Art Museum gala is up for your enjoyment. In my excitement I simply pointed my phone camera (somewhat shakily) and started snapping. Please forgive omissions and silliness.
A comprehensive recording of the event, the panel discussions and events will be available in the future. Pieces from the exhibit are thoroughly documented in the companion book. And the exhibit itself will be open to you until February 5. In the meantime, enjoy my hastily assembled 3-minute snack.
A video conversation with Pier Voulkos will be part of this weekend’s StudioMojo newsletter.