Archive for the 'Studios' Category

McCaw’s studio peek

I’m pleased to see that many of you are as curious about studios as I am. (Thanks to yesterday’s Betsy Baker for sharing hers.) To continue the theme, here are a few pictures of Sandra McCaw’s small workspace. Sandra’s muse likes a comfy chair too. I like her combination of sage and turqouise wall colors.

Is your studio in the middle of things or hidden away? Are you tidy or is chaos comforting? Do you prefer an open space or a cozy corner? If you’ll send me pictures of your inner sanctum, I’ll share them here from time to time.

And in case you missed this a few months back, there’s a demo of Sandra’s signature cane (pictures taken a mere ten years ago). Oh, and don’t miss her web page.

Learn from Baker’s Blog

Boston’s Betsy Baker takes simple polymer clay shapes and gives them an interesting twist as in this necklace with alternating long bi-conal and rounded square beads. Take a look at her offerings on Etsy and her web site.

The neatness extends to Betsy’s studio space where she says she must have a comfortable chair or her muse will refuse to visit.

Betsey’s does a bang up job of distilling her notes from her class with Maggie Maggio in Stresa, Italy. If you want the color smashing crib notes, read Betsy’s blog.

Creative Undertow

Connecticut’s Libby Mills feels caught in a creative undertow (what a great image) brought on by summer events, a class with Robert Dancik and preparations for her guild’s Klay Karma retreat.

See what Libby’s frenzy has produced by reading her blog and looking at her new metal and polymer clay work. As a bonus, you’ll get a peak at her workspace.

June

It’s June and I went in search of summer colors and sea creatures like this polymer clay anemone. A visit to Libby Mills sites gave me the jolt of color and design that I needed.

Her blog site is coming along nicely and she has some terrific insights on the artistic life. Be prepared to spend some time surfing her links.

Perhaps the most inspirational bit on Libby’s site was the tour of her studio and her tales of sharing it with friends for classes and meetings. Big, light, well organized…simply dreamy.

Sneakers

The Manabu Ito site (Clay Work Technique) is rich not only with polymer clay illustrations and sculptures but with links to lots of other Japanese artists who work in a similar vein.

The pieces are amazingly detailed and stylized. There’s even a video showing the artist at work and a peek at his workspace. I wish I knew some Japanese so that I could understand more about his extensive sneaker collection.

If the language is garbled (I’m not even sure about his name), it’s because I picked up this Japanese link via the Kiwi site in Belgium. There’s plenty here to keep you entertained all weekend.

Bubble Beads

Ponsawan Sila is on the move and she faithfully records her progress on her blog. She includes pictures of her workspace and step-by-step tutorials on this method, a twist on mokume gane.

What this generous artist takes for granted is her color sense and her knack for pattern creation. No muddy colors or uninteresting patterns on her worktable! Take a look at her homemade texture plates. Thanks for letting us look over your shoulder, Ponsawan.

Nostalgic

Vermont's Barbara Lang's polymer pieces with found objects have a fascinating nostalgic quality. She uses polymer clay to form rustic findings that capture objects of all shapes. Note how an old key embedded in polymer becomes a finding in the pendant at the right.

Her fondness for faux stone techniques, stamping and photography combined with her flea market finds fill her pieces with secrets and mystery.

And be sure to check out Barbara's studio in the Vermont woods. It looks perfect.

Cane Lesson

A bit of a lesson today from California’s Kim Korringa. Kim has a sequence of fish cane pictures on her site that may teach you a thing or two. Kim’s web site is a pleasure to browse through and includes a studio tour, always a winner in my book. In her former life Kim was a graphic artist.

I like the quote by Robert Henri that Kim includes on her site, "The object isn’t to make art, it’s to be in that wonderful state that makes art inevitable"