France’s Nadege Honey telegraphs messages through her Dots and Dashes jewelry. This necklace says “Life is beautiful.”
“I wanted to create jewelry with meaning, where the piece itself is not the main focus, but rather the message is,” says Nadege. Decipher the Morse code of Happy Birthday, Thank You and other phrases in her Etsy shop.
You don’t need to know Morse code to enjoy the clear colors and graphic combinations in Nadege’s pieces which are best seen on Instagram, Pinterest, Facebook and her site.
Here’s a springy page of brooches from her design journal.
No matter how hard you try not to catch it, Translucent Fever is in the spring air (in this hemisphere anyway).
Once you come in contact (Marie Segal got it going) then you start encountering glassy pastel examples everywhere. These stacked petal earrings are from Spain’s Manon van Kempen on Instagram. Manon has a feel for flowers and these look just challenging enough.
Though you may not feel you have time to get sidetracked, resisting the urge to play with translucent is futile. Go ahead, get it out of your system. Enjoy!
Here in the US, Marie Segal is creating a buzz with her experiments with Cernit’s translucent clay. Look at how the layers from these sample canes read through each other and retain their vibrancy.
Marie has put together a 12-bar translucent starter kit of Cernit if you’re in a mood to try something new. The kit contains 8 bars of translucent plus one each of Cernit’s four translucent colors –amber, emerald, ruby red and sapphire.
Usually Marie starts by mixing 2 parts translucent to 1 part color and adjusts from there to create the desired effect. Here’s her recipe for the colors used in this piece. You can examine more of Marie’s efforts on Facebook.
You may also be interested in the Cernit color mixes that Spain’s Ana Belchi has been sampling in her studio. You’ll find them on Instagram. If you need to know more, Ginger Davis Allman (BlueBottleTree) discusses the properties of Cernit in this review.
No matter how many times I watch Rebecca Watkins dust her bright unbaked polymer work with her special mix of dark PearlEx powders, it feels so wrong. There’s no way you can pull this ugly gray thing back from disaster.
France’s Stephanie Kilgast has found a way to keep the cat that she had to put down recently. She created a palm-sized polymer version of Arya that can be popped into a pocket or gazed at on a window sill.
This was a heartfelt departure from the fruits and veggies that Stephanie usually creates. She documented the sculpt with the video below. It’s a love story in polymer.
Lots of us have gelli plates stashed away in our studios wondering how to use them with polymer. Enter Syndee Holt hobbled by an injury with time on her hands. The happy outcome of her mashup – not the ankle, but the combination of rubber stamp, polymer, paint and gelli plate – is the technique used on these darkly subtle metallic pendants shown on Facebook.
Syndee will be teaching her method at Fandango in Florida in May (not sure if there are open spots). While she’d much rather not have had the injury, it’s given her a double shot of creative juices.
And no, a gelli plate is not the serving dish for jellyfish.