Tanya Mayorova brings her own mokume gane colors and patterns to Helen Breil’s smart bead design. Ovals of polymer patterns fold over to become graceful beads. Helen offers a free tutorial that gets you started.
Tanya’s results blend into a five-strand boho gypsy necklace that’s assembled to reflect her own aesthetic. Here’s her work in a different color way and single strand design.
These glowing hollow beads from Claire Maunsell are patterned with collaged pieces of laser transfers. The elegant mix of patterns shine through dark and distressed surfaces. The combination lends her beads an aura of a rich and mysterious past.
Claire’s added a number of collaged and hollow beads on her Flickr pages. Go there for your first-of-the-week jolt of inspiration.
We happened to be working on laser transfers in our weekend class in Minnesota. See how Maureen Carlson turned the transfer of her sprite into a sculpture and see some of our class pictures on Instagram.
Pennsylvania’s Beth Petricoin loves polymer and upcycling. A favorite shirt ruined by bleach spots could have been discarded or demoted but Beth couldn’t let that happen. She decided to hide the problem with a radiating design in polymer.
She fabricated the components from thin pieces of polymer cut out and applied with Sculpey Bake and Bond. “I worked in segments of about 6″ by 8″, curing in between segments to keep the areas for curing totally flat in the oven,” says Beth.
She details her project step-by-step in a blog post. She even laundered the shirt after finishing to test the glue’s strength and gives it a definite thumbs up.
“I can hardly wait to jazz up another piece of clothing! I can also see this idea put into use to cover up unwanted holes in clothing….lots of ideas running around in my head,” she admits.
Since you may have some playtime this weekend, I’ll leave you with the UK’s Jon Burgess. His sites are mecca for those who like abstract, geometric, random, organic or fractal-based patterns.
Jon’s been a longtime writer, illustrator and designer. “I have been exploring the backwaters of the various bits of software I use for many years now but have only recently found practical outlets for the designs I produce,” he explains.
Of course polymer is one of the practical outlets he hit upon. His tiles, coasters and beads often contain his image transfers whose hard digital lines have been softened with elegant, distressed edges and thin washes of ink.
Sure, the 1-2-3 polymer transfer steps he shows are straightforward. When he gets to step 12, the fun begins. From this almost-a-tutorial you get the idea of how he batters his pieces to inject them with history and intrigue.