These samples come from Connecticut’s Lisa Gauthier, a student in Marie Segal’s Cernit Translucent 2017 class. Glass-like layers that reveal more color below remind us of the possibilities of the clay and may make you want to try your hand at it.
The flower and butterfly cane slices appliqued on came from another student, Seana Bettencourt.
Study these and other samples from Lisa on Facebook. “Thanks to Marie Segal and Cernit I can create colorful, bright things in these cold dark winter days,” says Lisa.
California’s Julie Picarello has a new batch of focals ready for the annual Tucson bead show next week. She’ll be buying, selling, and teaching her new Lunar Feather Beads.
She prowls through hardware stores and walks the long aisles of the big box stores looking for pieces she can stamp into or otherwise incorporate into her mokume gane designs.
In her Tucson classes, students will learn how to use new tools she appropriated from the HVAC department!
In the group pictured here, Julie gives a nod to textiles but look closely and you’ll see washers and traces of metal. This new series is done in her signature color palettes and sprinkled with painted and torched do-dads. She’s on Facebook here.
Mari O’Dell has been dreaming up Japanese-inspired pendants in her Annapolis, Maryland studio/treehouse.
She begins with castings made from segments of antique Japanese kashigata molds. Translucent polymer tinted to look like jadeite is pressed into the molds and cured. The elements are set aside to be assembled into finished pendants.
Mari uses a distinctive way layering on extruded Japanese design elements. Though she has limited strength in her hands, she’s devised clever extruder workarounds.
The piece is then surrounded by a bezel made of thin strips of clay and the entire work is mounted on clay backing. The final touches involve alcohol inks, heat set stamp inks and a final curing.
Follow along with more of her designs and experiments on her Instagram site.
The start of this polar bear plaque was an icy-looking piece of clay that Melissa Terlizzi loved as it rolled out of her pasta machine. Perfect chunky glacial accident! All it needed was a big furry animal!
“The sheet of clay behind the bear is my favorite part of this piece. I loved the raw edges and organic shape, so I just left them that way,” she says.
Melissa mounted the piece on a silver-leafed wood panel treated with a crackle finish, and tiny silver microbeads which all sparkle! See the final version on Facebook.
In our hemisphere, this chilly scene seems just right.
Our polymer Santa/Dr. Lehocky is still in his workshop upcycling canes (like these poinsettia and snowman slices from Jane Dwyer) and turning discards from artists around the world into hearts that will benefit the Children’s Center in Louisville, KY.
This heart story has been going on for 12 years and last night’s total topped 40,520. Each one this Santa has made raises $10 for the Center. Do the math! Yes, your art can make a difference.