I'm in a bit of a rush to get things wrapped up in Ohio so that I can head west on vacation (including two days at Ravensdale). Today's a bit of this and that. I plan to post from the road so that you won't miss a thing.
Facere Gallery in Seattle is exhibiting a polymer display that will accompany the Ravensdale conference. These bracelets from Sara Shriver are in the show.
These chocolates from Lindly Haunani's class won't melt even in this heat…and they look delicious.
Techniques that are such fun to create often become mind-numbingly boring. Take those square extrusions. A professor of fluid dynamics bought a bowl of mine that was inlaid with square extrusions. He excitedly explained the physics of how the colors merged and formed. I was fascinated. After a while, however, they all look the same.
Some artists take these techniques to another level. These "Klimt pins" photos from Donna Kato illustrate the point. She takes a simple technique, renders it in unexpected colors and then pushes it further. In this case, she gave the pieces interesting shapes, added pearls and accented one with a textured layer.
It's that second effort that makes these pieces different from the rest. We must learn to obey that inner voice that says, "Take it farther…keep going"
The Ronna Weltman article in ArtJewelry Magazine was nicely written (I just got my copy) and I loved Steven Ford saying that polymer clay jewelry is "diva jewelry." He's right, of course (his new site is working a bit better today). These colors and styles are not for the shy or faint of heart.
Here's a bit of a sampling from the Ravensdale conference in Issaquah, Washington which is only a week away. These beads from Barbara Fajardo will be on display in "The Rave." If you can't get to Ravensdale, visit Barbara's site for lots more info.
Or if the conference is just too far away, you might be interested in the Judy Belcher/Kim Cavender workshop in Columbus, Ohio this weekend. Only a few seats remain. Sign up now for an informative polymer weekend with two of polymer clay's most entertaining authors.
Be sure to look for the September issue of Art Jewelry Magazine. PCDaily gets a mention in the sidebar of an article by Ronna Weltman called "A Rarefied Medium: Polymer clay is now on the A-list for wearable art."
From an earlier Art Jewelry Magazine's "gallery" section, this description of Celie Fago's multimedia bracelet which is made of polymer clay, metal clay, acrylic paint, brass, and sterling silver. "Polymer clay and metal have a relationship of mutual benefit," Fago says. "Metal offers weight, both actual and aesthetic. Polymer clay adds richness of color." Good explanation.