bead

Polymer and Prismacolors

by Cynthia Tinapple on May 24, 2012 · 6 comments

Clarks PrismacolorsColorado’s Maria Clark shows us how a limited toolbox can force you to dig deep into your creative resources and try something new.

Maria had some time on her hands because she was traveling. She purchased a package of white clay, a small set of colored pencils and a bit of burnt umber and gold metallic paints. Her only other tools were pens, pencils and a crochet hook she’d brought along.

Who knew you could get such deep colors with Prismacolors on polymer? (See Tuesday’s post on Libby Mills to see another example.) Thanks to Marian Hertzog who sent Maria’s link along.

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Scribbled polymer

by Cynthia Tinapple on May 22, 2012 · 10 comments

Hollow beads are all the rage this year. At last week’s conference my tablemate Libby Mills applied her own distinct style by carving and doodling on the hollow forms with Prismacolor pencils followed by a wash of black acrylic.

She paired the beads with wire wraps that echoed the scribbled look. You may notice that scribbling has been a theme of Libby’s for years. This new design may push her back into the studio to play again.

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Polymer quest

by Cynthia Tinapple on May 21, 2012 · 21 comments

Utah’s Cody Craynor has been on a mission. “I’ve basically been on a quest to create the perfect chevron bead. Why settle for sloppy beads?” he asks.

PCD last looked at his faux trade beads three years ago. His methods are mighty close to perfection and I’d like to know what he’s taught himself.

Let’s let Cody know that we’re watching and we’d love to learn from him. He says he’s never shared his methods (or met another polymer artist) but he’s open to the idea.

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Painterly polymer

by Cynthia Tinapple on May 9, 2012 · 7 comments

The “painterly” adjective is an easy one to attach to some works. But lately, “painterly” polymer has been pushed to a whole new level as in these Rustica Erosion beads.

Alison Sachs of BeadsByEarthTones paints, textures, scuffs, and swipes her beads into something more than you may have thought possible. “Down to earth and full of imperfect texture…like me,” she says.

Polymer is attracting more fiber artists, glass artists, ceramicists and, well, painters who bring very different expectations and sensibilities to our craft.

Thanks for piling on your comments to Dave and Steve yesterday. Speaking of painterly, I’ve looked and looked at this new collage from them and my head can’t quite take it in.

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