Of course you’d guess that Baltimore’s Linda Pearl was a dog lover from her bowls in the swap at the Virginia conference. You might also sense that her background is in pottery. And her shapes and treatments have a distinctly Japanese feel to them.
There’s nothing like a deadline to focus attention. These 2 1/2″ diameter bowls are for a conference swap this summer. Thirty are required and the idea of making 30 of anything is daunting to those of us who happily flit from project to project.
By limiting myself to translucent shibori-like blues, I’m concentrating on patterns and shapes. Right now, they’re perched (not glued) on their bases for easy packaging and transporting. I’ll attach the mix-and-match bottoms on site.
These little delights feed my enthusiasm for small decorative items. With their varying pedestal heights and shapes, they create an intriguing grouping.
Repeating a new technique or design 30 times can be very instructive and before you know it, you have a body of work that veers off in a new direction.
You can see how I’ve been mulling over bowls for a while on my Pinterest board.
If you’re interested in learning more about adding touches of personal style to your home join my class at Maureen Carlson’s at the end of July. Have a super weekend!
Pennsylvania’s Emily Squires Levine used her Artchain Challenge to show us these Then & Now works. Inspired by Karin Noyes’ polymer bowls, Emily formed her first version in the mid-1990’s around a custard dish. It drooped when she removed the warm clay from the form but she was undeterred.
Fast forward to this fall and you’ll see how far Emily has come. In fall 2014 she created a flower pot of wavy tendrils in muted greens and metallic golds, part of her Sargassum series that appeared in the Racine Art Museum exhibit.
Emily’s bowls, eggs and tiles depend on her own strong color palette and exploit the negaitve spaces between elements.
Cincinnati’s Kathy Richardson likes to coax polymer to look like whatever she fancies.
Here she fancies rugged leather and turquoise vessels. She takes 3 1/2″ glass jars and covers them with rough-edged slabs of leathery polymer. She weaves a collar from strips and adds a real turquoise nuggets in chunky bezels.