This brooch by France’s Isabelle Chatelain speaks to me and it’s too delicious to just let it float by on Flickr. Let’s grab it and mull it over for a Friday minute.
The repeating circle patterns both change and stay the same. This is polymer mokume gane at its best and the color combination shows off the pattern nicely. It hints at Moorish mosaics and Byzantine ceilings.
Isabelle mixes bits of this design into other brooches. Her ability to assemble compositions from small chunks of mokume gane plus textures and colored shapes is remarkable. Yummy.
Cynthia Toops combines large lentil beads covered in millefiori cane slices with small insets of micromosaic bird motifs for this new necklace called Seeing Birds.
The birds are all native to Washington state and the piece is featured in the Of a Feather show at the White River Valley Museum located between Tacoma and Seattle. Read more about the exhibition here.
I wish we had a higher resolution photo so you could dive in for a closer look at her magical images made from super fine threads of polymer.
For a better example, zoom in on this brooch that Cynthia made for last fall’s Tilling Time/Telling Time show at Facere Gallery. Keep in mind that the brooch is only 1 1/2 inches square! Silver bezel is by Chuck Domitrovich.
Ann Dillon was captivated by Jana Roberts Benzon’s Encrusted workshop last October. “I didn’t want to do quite the same thing,” Ann explains. “I like matte more than shiny. I’m not into Swarovski crystals. I had been hankering to make some of the rough-edged spirals I’d seen online.”
Ann’s Encrusted works have a woven fiber appearance. “I can’t seem to stop making them!” she admits. See more of Ann’s interpretations on Pinterest and Facebook.
The bangle below is her wearable coral reef – complete with barnacles. In another piece she makes polymer look felted, then wrapped (see her Rapt class at Cabin Fever). Techniques are tools that can be used to express very different concepts.