Repeated painting and buffings give her beads a patina and hints of past lives. These faux fossils are particularly alluring and the use of links instead of holes in the beads makes them even more unusual. Her Etsy shop shows a great selection.
These clay-covered eggs were a recent product of her experiments and she’ll be revealing her discoveries in a class at her studio in Ft. Collins, Colorado this Saturday. Here are earlier posts about Carol’s kaleidoscope-cane works and award-winning pendants.
Egging you on…
May 1 is the deadline for entries in Interweave’s Bead Star Challenge. The prizes are pretty nice (just ask Valerie Aharoni, last year’s winner). I notice that Valerie has tested Creative Imaginations’ Super Seal Spray on polymer with good results.
Lotta links today! You sent in a shower of April tips. Does that mean May will bring flowers?
While I’m not much of a fashionista, I couldn’t help looking at the chunky crazy jewelry in the Fall 2009 Marni collection on Fashionologie. Imagine whipping it up in polymer clay.
Take a look at Marni’s jewels and then picture this…Marie Segal’s faux drusy (here too), Barb Fajardo’s flowers, with a few faux ancients from Velmachos and Yamamura. Help me out here. Who else can we recruit for our polymer project runway?
Thanks to Marie Segal for the new link to Yamamura. Here are earlier posts about Yamamura’s work and her Etsy site. (Kotomi offers her clever downloadable pattern for a DIY necklace display stand here.)
At the local guild meeting Debbie Jackson brought this great polymer clay necklace she’d made. The mottled beads are done with a sprayed alcohol ink technique that she teaches (she calls them quail eggs). The other faux turquoise and scarab beads are so convincingly done that the entire effect is ancient and artful.
She has a knack for the imitative and the cultural artifact. Her book, Polymer Clay Jewelry, contains many of her best recipes.
I wish I’d taken a picture of Debbie who is growing a new crop of silky hair that looks quite trendy. Thanks to Jeanette Kandray who loaned me her camera at the meeting.
Note: I’m on the road (San Diego). Saw some lovely rocks on our long beach walk today. Great ideas for my polymer versions.
This polymer clay lariat by Adams Schoolhouse reminds us that it’s time to break out the mittens. The variegated yarns look labor-intensive, very wooly, very real.
Speaking of looking real, check out the Australian “Making Sense” art exhibit that featured the work of artists who replicate benign objects and spaces.
Polymer artist Emma White explains that, “Sometimes the joke’s on me because people can’t tell the object is handmade (like the polymer clay post-it here), so they kind of don’t even see it.” Read more about Emma here.
Thanks to Susan Lomuto for the exhibit link and for making us start the week looking very carefully.
These two artists look like they’re having as much fun with polymer clay as I am this week.
From France, we have Evelyne (les RéCréaTiONS de Chamade) who tries every trick in the book and adds her own quirky style to each piece. I wish I’d thought to decorate my keys as she has.
And from South Carolina, Alisa (Treasurefield) takes faux to a whole new level with her faceted gems of polymer treated to look like weathered wood. Her whitewashed pieces feel nostalgic and she dabbles in styles and techniques with abandon. Thanks to Barbara Forbes-Lyons for the tip.
I’m hoping that this vacation can restore in me the spirit that these artists bring to their work.