Tina Holden creates realistic Hawaiian Opihi limpet shells with a set of silicone molds and a tutorial. The starburst texture and jagged edges make interesting designs beyond shells too.
Tina’s a coastal girl from British Columbia and she excels at shells (plus molds and silkscreens). She likes to experiment with new shapes and techniques. Read about her on her blog, Facebook and shop her on Etsy and her website shop.
Lina Takhautdinova (Wildhorn) introduces us to the world of dark dressers and stylenoir. Goth meets high fashion in St. Petersburg. Lina pairs upcycled leather, coarse fabric, and aged silver with her own polymer antlers and imitation stones.
She refers to her colors as sombre and you’ll note hashtags that range from avantgarde to postapocalyptic. A short interview on StyleNoir.com gives you a better idea of Lina’s aesthetic and worklife. The best place to see her work is on Instagram and Pinterest. Keep up with her latest news on Facebook.
If you were overwhelmed by the color on Monday and Tuesday’s PCD posts, this should cleanse your palette.
Margarita Repsiene (from Lithuania now in Singapore) developed her own batik methods for the sea urchin earrings and on the fabric-like belt buckle on the right.
Batik is definitely on the rise again and this version bounced around the world and landed in my lap via Irena Lapasinskaite, Margarita’s friend.
You’ll find a whole bunch of intriguing items on her Flickr, Etsy, Pinterest and Facebook pages. I studied them and kept asking myself, “How is she doing that?”
If you dig up a polymer artist who rings your chimes or piques your curiosity, please send her/his name to PCD. You readers are my eyes and ears in the crazy, huge internet/social media world. I can’t possibly keep up on my own and I count on you. Thanks!
The feel of baked polymer reminds Lindsay Locatelli (wazodesigns) of wood. She carves the hardened clay to give it natural and organic textures.
“I graduated with a BFA in Furniture Design from the Minneapolis College of Art and Design and worked mostly in wood/metal. After college, I began working in a smaller scale and I fell in love with the idea of art jewelry because there’s a component of function as well as sculpture. Polymer clay became my new medium of choice because it’s much more satisfying to work with at a smaller scale,” says Lindsay.
“Polymer clay allows me to have much more control than wood did. I’m interested in creating new textures/forms out of the material and working with it in unique and unusual ways.”
Minneapolis has a lively emerging fashion and art community and Lindsay’s active in shaping it. The necklace here, Bleached Bones, is made of polymer, brass with acrylic paint and the ring is polymer, silver and citrine. Follow her on Instagram and Facebook as well.
Lindsay was part of the ACC’s first Hip Pop Showcase at the St. Paul ACC show in April this year.
If you’ve been around polymer for a while you may, like me, think you’ve seen every cane possible. But then a cane brain like Meg Newberg shows her newest ways to make an imitative indigo dye cane and you shake your head in wonder. That soft-edged tie-dye look is challenging in polymer.
Her monthly cane subscription is one of the best deals out there. Each month she emails subscribers cane tutorials that baffle and delight.
It’s not easy to salvage that sweet bit of polymer veneer and turn it into something wearable and delightfully designed. That’s why these earrings from Minnesota’s Jan Geisen caught my eye.
She has a way of putting geometric shapes together in a way that makes them both simple and remarkable. She leans toward muted imitative stone patterns or watercolor-like washes of color. These earrings measure 1/4″ x 1 3/4″. The black rectangle attaches to the earwire and surrounds the patterned slab.
On Jan’s Flickr pages you’ll see more examples of her mix-and-match stacking style. She’s compiled a great stash of inspirations on Pinterest.