These paper and polymer vessels from Madrid’s Fabi may bring a smile to your Monday. The quirky finishing touches are polymer shapes with a Dr. Seuss feel.
The pots themselves are made from “serpentinas”, paper strips wound into a tight coil and pushed into shape. Even if your Spanish isn’t strong, you’ll catch how they’re made on this YouTube video. (Paper streamers may be common in some places or quilling strips would work.)
Once Fabi got started she couldn’t resist adding polymer finials and making ornaments and earrings and other trinkets.
Jana Lehmann’s spring polymer line draws you in with bright color, gradations and patterns.
Then you find your eyes darting to shapes and dimensions. Layers and hollows make you linger.
Spring is certainly in the air around Jana’s studio in Germany! What started out as a gift for a friend has grown into a whole new collection. Have you caught spring fever yet?
Christi reveals that, “The technique is simply to take some toilet paper, get it wet, wad it into a ball and wring out the excess water. Wrap the clay around the ball and sculpt! The paper provides firmness to work against so you’re not poking through the vessel when you try to add details. Once the vessel is baked, just submerge the pot in water until the toilet paper gets all dissolvey. Then pull it out. It’s fun.”
Her new vessels will be in the next issue of American Style magazine and her annual eBay sale is happening this week.
This polymer clay and pine needle basket by Victoria James is a lovely example of the mixed media pieces that will be on view in the exhibit at Synergy2. “Creating baskets pulls together my love for textiles, construction, and three-dimensional forms,” she says.
Following the exhibit theme, the artists sewed, sculpted, wove, and collaged polymer in unusual ways and combined it with unexpected materials. Preview and order the 80-page exhibit catalog online now.
Conference goers who order this week can save the shipping by preordering here and picking up their copies in Baltimore. I assembled the catalog for the IPCA (love that Blurb.com software) and I’m sure you’ll find it a great resource and a treasured memento.
“I was taught to embroider at the age of five. I have been a detail freak ever since,” says Virginia polymer artist Angie Wiggins.
Angie started in polymer in 1987 when she needed better beads to embellish her handmade paper and fiber bowls. The clay also satisifed her intense color needs. She’s added some new eye-popping pieces to her gallery that you’ll want to oggle.
I’ll round up the judges and pick a winner Saturday afternoon. There’s still time to enter by leaving a comment (on yesterday’s post). Have a winning weekend.