I’ve discovered the joys of simple metalworking. After getting the magnificent Alexander Calder jewelry book
from the library and seeing the delicate polymer clay/wire work of Oregon’s Dede Leupold, I am persuaded that I should try it. Dede has no web site but here’s a page of her recent work.
And I just ran across a promising site, Jewelry Lessons, that seems to have simple wireworking tutorials. The site looks perky and fun. Has anyone tried it?
Oh, there’s so much to learn once I get my power and internet connection back. Maybe today!
Italy’s Marina Lombardi’s (Ali di Libellula) polymer clay creations are perfect for a summertime Monday. She bases her designs on floral illustrations and adds wire to simulate climbing vines and tendrils, often adding pearls and stones.
Her wire work style is unusual and distinctive and the combined effect is that of a lush old-fashioned bouquet.
My Italian translation didn’t give me much insight into how she acheived her effects. You’ll have to draw your own conclusions. Enjoy her flowery Italian summer palettes.
In case you missed this link from yesterday’s globe-spanning comments, you’ll want to look at the glowing colors and distinctive wirework of France’s Celine (aka gRIS bLEu). She credits Melanie West for the inspiration for some of her organic, oceanic pieces.
Celine also experiments with simulating the heavily patterned lampworked beads of German artist, Melanie Moertel in polymer clay. (Moertel’s beads are reminiscent of Kathleen Dustin’s in some ways.) While both experiments are derivative, Celine’s own sensibilities make the work unmistakably hers.
If you’re like me, you’ll follow these links all over Europe thanks to yesterday’s comment from Eva.
New Nom: Susan Lomuto’s work, now under the more appropriate heading of DailyArtMuse.com, is unmistakable too. Susan’s wide ranging tastes and impeccable tastes will keep your muse in fine fettle.
.
Recent Comments