It’s your week at the beach with polymer. Today JoAnne St. James replicates Connecticut sunsets and beach scenes. She translates the sky colors into beautiful Skinner blends. It’s a short step from a blend to landscape.
A handful of shells, some sand, sun touching the water – JoAnne gives the scenes finishing touches and then turns them into wearable summer memories.
Be careful! This Seahorse Rodeo from Utah’s MaryAnne Loveless may rope you in and drag you under with patterns and colors and shapes.
MaryAnne often creates her beads and sculptures in big groups. A look at her Flickr gallery (also Pinterest) shows the logic of repeating a design until you get the feel of it and have worked out all the challenges and rough spots. You also see what an impression a big collection can make.
A tip of the beach hat to MaryAnne for bringing us these 3″ tall polymer broncos.
Pennsylvania’s Beth Petricoin loves polymer and upcycling. A favorite shirt ruined by bleach spots could have been discarded or demoted but Beth couldn’t let that happen. She decided to hide the problem with a radiating design in polymer.
She fabricated the components from thin pieces of polymer cut out and applied with Sculpey Bake and Bond. “I worked in segments of about 6″ by 8″, curing in between segments to keep the areas for curing totally flat in the oven,” says Beth.
She details her project step-by-step in a blog post. She even laundered the shirt after finishing to test the glue’s strength and gives it a definite thumbs up.
“I can hardly wait to jazz up another piece of clothing! I can also see this idea put into use to cover up unwanted holes in clothing….lots of ideas running around in my head,” she admits.
Since you may have some playtime this weekend, I’ll leave you with the UK’s Jon Burgess. His sites are mecca for those who like abstract, geometric, random, organic or fractal-based patterns.
Jon’s been a longtime writer, illustrator and designer. “I have been exploring the backwaters of the various bits of software I use for many years now but have only recently found practical outlets for the designs I produce,” he explains.
Of course polymer is one of the practical outlets he hit upon. His tiles, coasters and beads often contain his image transfers whose hard digital lines have been softened with elegant, distressed edges and thin washes of ink.
Sure, the 1-2-3 polymer transfer steps he shows are straightforward. When he gets to step 12, the fun begins. From this almost-a-tutorial you get the idea of how he batters his pieces to inject them with history and intrigue.