For your weekend enjoyment, take some time wander online to see the splendor that’s been submitted to the international Into the Forest exhibit. Now try to imagine how the curators will assemble it all for the November month-long exhibit in Pittsburgh!
These glorious flowers from San Diego SandyCamper Marni Vigil look like the day lilies blooming in my yard. There are hints of Marni online on Facebook but she keeps a low profile…like many of the other quiet contributors to the exhibit.
Look at all the pods, blooms, berries, bones and more on the exhibit’s Facebook page and Instagram. It’s a stunning array of polymer from hundreds of artists in 32 states and 22 countries.
Put the event on your calendar, contribute to help cover their costs, and be proud of what you and the community are accomplishing!
And join us over at StudioMojo for juicy weekend updates.
Laura Tabakman, Emily Squires Levine and Julie Eakes, the creative forces behind the global collaborative Into the Forest exhibit created this series of 4″ caned flower brooches as part of a fundraising effort.
Sales of these and a smaller bar brooch series will help cover the costs of the exhibit and associated opening festivities in Pittsburgh at the Spinning Plate Gallery November 10-11. The show runs through the end of November. A teaser mini-installation will be unveiled at Synergy4 in August.
The curators have accumulated thousands of elements from 250 artists in 32 states and 22 countries that will be put together as a forest installation. While they are applying for grants and corporate sponsorships, you can also show your support and help grow the forest by picking a brooch from the exhibit’s new website/shop, intotheforestinstallation.com.
This Saturday’s StudioMojo will be filled with more super tips and tidbits from the Virginia conference. There’s still time to sign up and hear all the backstory.
This butterfly bush (more pix here) is a group project from the polymer clay students at the Ohio Reformatory for Women for the Into the Forestexhibit.
The clay came from generous artists who were destashing. (The ORW students are happy to condition old polymer. Let me know if you’re cleaning out and have extra clay.)
They created 27′ of big hole beads that were slipped onto brass rods and inserted into a wooden base made by my husband. The brass rods couldn’t be taken into the facility so we had to visualize the piece and assemble it at home. I’ll take the whole shebang apart to ship it off to Pittsburgh.
Will you be part of this international exhibit? The deadline has been extended to May 1.
You have plenty of time to make your mark on the fanciful forest that Laura Tabakman, Julie Eakes, Emily Squires Levine, Libby Mills and Nancy Travers concoct from your submissions.
The event opens in Pittsburgh in November with a teaser preview on view at Synergy4 in August. Are you tempted to make some beads to cheer up your own garden?
Have you been watching what’s being submitted for the Into the Forest exhibit later this year?
Each leaf, bug and blossom is more intriguing than the last and it’s hard to wrap your head around how Emily Squires Levine, Laura Tabakman and Julie Eakes will combine all the colorful bits they’ve collected for this international collaborative project.
This week’s submission from Eriko Page may make you wistful for spring. Her tight round polymer buds are ready to burst into bloom. But wait, a second batch of Eriko’s flowers have already opened! See more of her hyper-real caned flowers on her sales site and FB.
A preview of Into the Forest will be on view at this summer’s Synergy4 with the whole shebang on view beginning in November, 2017 in Pittsburgh, PA. There’s still time to join and add your work to the project. Pieces must be postmarked April 4, 2017.
Read the guidelines on the FB page where nearly 700 polymer artists hang out, watching every forest fantasy that arrives from around the world.
Portland polymer artist Meredith Dittmar has appeared on PCD many times, initially for her small sculptures, now grown into the show, Between Our Eyes, at Mirus Gallery in San Francisco from January 20 to March 3.
The gallery describes Meredith’s work as human-animal-plant-energy relief-like amalgams that contain threads of common elements and colors to express deep levels of union across themes of biology, technology, and consciousness. The characters are frequently involved in quiet expressive moments, or lounge facing an audience, sharing their inner space. Dittmar believes it is this space we recognize in ourselves, and through convening in that space, the interconnectedness of all things is revealed.
The gallery’s exhibits are edgy and modern and Meredith’s paper/polymer works are dynamic. If you’re not quite sure about the fantasy/technology/biology scenes that you’re looking at on Meredith’s Instagram, Facebook and Flickr, relax and enjoy the mix of paper and polymer, shapes and color on these large works. Let them hit you between the eyes.
Lindly Haunani’sCrayon Lei in Oranges and Greens is one of eight polymer treasures in the Spectrum exhibit on view through July 10 at the Racine Art Museum. The lei was created in 1998 when Lindly was experimenting with inclusions.
Wax from crayon shavings were mixed into the polymer and melted off during baking. The residual pigment colored the translucent polymer in a mottled pattern. Color is a central element to all three of Lindly pieces in the show.
Lindly gave me a Crayon Lei as an engagement gift that same year so it’s especially near and dear to my heart and I’m pleased to share it with you. Read more about her process in this PAA feature.
Pieces from Pier Voulkos, Dan Cormier and Jeff Dever are also part of the RAM show which focuses on works that use color as a defining principle in form and design. Read more and see the rest of the polymer works in the exhibit on the PolymerArtArchive.
I’ll forward my pile of tiles to Germany in one batch after April 30. You still have time! US artists can forward entries to: Cynthia Tinapple, 1 Hartford Court, Worthington, OH 43085.
An Instagram page shows a selection of entries. If yours hasn’t shown up on there, email me a photo and I’ll add it.
The polymer community was saddened by the loss of California’s Dottie McMillan. She was one of the first people I linked up with on the Prodigy bulletin board way back when. She was a writer, artist and good friend in the polymer community. Here’s an earlier PCD feature about her work.
Today’s the last day to visit Georg Dinkel’s polymer reliquaries and shrines to technology in the Palace of Culture Anwanden. Georg mixes technology, architecture and religion into a delicious ironic stew. His digital devotional pieces ask what we really worship and why. Here’s his latest.
Georg’s carefully crafted, elaborate sculptures are positioned against cracked plaster walls next to a curving staircase in a beautifully aging empty building. The old and new, the serious and the sassy play off each other in this festival of light.
Georg shares his splendid photographs of the event, saving us the airfare. I’m snatching his photos from Facebook for those who’d rather examine them on PCD. Enjoy your free trip to Germany. Here’s the pdf of the program for those who know German.