Look at how nicely they all play together as a necklace. Her textile-like sketchy patterns threaded on a red string turn any outfit into party attire.
Isis Blackstock(littlepiecesjewelry) made me explore further.
It seems counter-intuitive that you can bend an extruded tube and still maintain the hole. The joys of polymer!
Isis explores this concept, applying it to a wide range of bangles and necklaces.
She offers them in monochrome colors but what if you covered the tube with pattern? I’m talking to myself here. I really must try this.
California’s Sarah Shriver sounds tentative when she talks about her new collection of painted circle necklaces. She’s been a polymer artist for decades and this minimalist style is a departure. One admirer said the circles reminded her of tiddlywinks, the kids’ game.
Sarah’s complex cane work and signature color palette have been distinctive. But the past year and now fear of wildfire have shifted her thinking. She has to be able to move at a moment’s notice. She’s pared down.
These circles painted with layers of Genesis and strung on silk thread contain Sarah’s same rich and luscious colors but with a nod to efficiency and minimalism.
She’s also been refining mobiles and hollow translucent beads and more. Her new directions reflect the smart, adaptive strategy that our times require.
Catch a good look at these shimmering hollow big beads from Boston’s Betsy Baker (StonehouseStudio). She made this labor-intensive patterned series during the lockdown.
“Now that life and shows are getting back to normal, I won’t have time,” she says.
Seclusion also gave Betsy time to dabble in designing and making dresses. Take a look at her Instagram.
Are there favorites that you’ll have to set aside now that demands for your time are changing?
After a 30-year career in interior design, Jude transitioned to polymer. The Saskatchewan Craft Council came up with a new “wearable craft” category to be able to include her in their shows.
Her scribed and textured and wonky pieces exude a fearlessness that’s just great for a Monday. Welcome aboard, Jude!
“I saw many elegant, beautiful cameos but only one with the face of a black woman so I started making my own,” says Atlanta-based Dianne Quarles.
The name, Maruva comes from the initials of four generations of creative Black women in Dianne’s family. Her Maruvian Women series honors her great grandmother, a runaway slave who became a successful, independent “modes”.
Each face is customized to give it an original personality. “Black Panther,” was the inspiration for her warrior women. The symbols are from the Ashante tribe of Ghana and Côte d’Ivoire.
The works are featured in the Roswell Roots Arts Festival, in Roswell, GA for the month of February.
This quirky, abstract pendant from Massachusetts’ Kathryn Corbin is both decorative and efficient when you have no pockets and a house littered with reading glasses always out of reach.
Kathryn solved her problem in an arty way. Bits of pattern, some rough texture, and colors that go with everything ending in a loop for hanging readers. Why be boring? We’re artists!
Kathryn loves to experiment in the studio and she sent this and pix of other juicy projects along to prove it.
We were chatting about the IPCA global interactive exhibit in February. The deadline for submission is January 15 which gives you plenty of time. Lots of categories and awards! Not an IPCA member? Join here.
High fives to the dance parties and parades and celebrations at the polls. In the midst of terrible news, it felt good to be standing in line being proactive with lots of fellow voters.
I took apart a very old necklace to bring you today’s graphic. Isn’t it amazing how stars and stripes can be combined and recombined? Even the tail ends can be made into what looks like fireworks. There’s joy at the polls. Join the party.
Squint and bite your lip, ogle and admire…that’s what I’m doing with these seed necklaces from Ford and Forlano that are part of the Smithsonian show. Stripes and dots? Bring it on!
Can you spot the exciting twists in the latest creations from Steven Ford and David Forlano? They’ve upped their game with new seeds, tubes, and shells.
Everything has shifted as the Smithsonian show has gone virtual. That seems to have broken loose some creativity as well. The bidding process is confusing but it’s forced the artists to lean into coming up with new must-have designs.
The natural turquoise beads play well with their polymer counterparts which were inspired by Donna Kato’s mud cloth cane.
Posted by Beverly Poitier Henderson