Every once in a while a polymer artist like Vasso Tizma (ClaylandStudio) from Greece makes us think that we can all be polymer clay sculptors.
You’d think we’d learn that “making it look easy” is a trap. I’m trying to resist rolling out some red and green clay and giving it a go. Is there time to become an expert before the holidays? Hope springs eternal.
Ohio mother-daughter duo Keri Parker and Mikayla Beavan (kurumi_kodama) created these haunting, earthy walnut tree spirits using shells with round polymer bellies.
“I found some walnut shells on the ground back in our woods and thought they looked like little disembodied faces. I knew somehow I needed to give them bodies,” says mom Keri.
These magical creatures appear every week or two on their site and disappear quickly.
New York’s Susana Martinez popped up in the feed today wearing a big bold necklace she made for a Santiago event.
I went on the prowl to get to know her. She had been in the fashion industry for over 20 years when the pandemic forced her to create a land of her own, SusanaLand.
It houses her jewelry collections, her fashion line, and even showcases her mother’s hand-woven wares.
Her mokume gane meets geodes meets resin in a wonky, cheery jumble of styles perfect for today.
Saskatchewan’s Jude Radwanski (Firefly Art Jewellery) scratches and scribes polymer jewelry as she works to create jewelry that enhances the designs of clothing manufacturers and retailers.
“Polymer clay is extremely durable and suits my commitment to reduced obsolescence,” she says defiantly.
No obsolescence here at PCD either. I’ve skittered around the globe and across the country, checking in with polymer friends around the globe in a burst of post-pandemic energy. Were you beginning to worry? Nah, I’m fine and ready to settle in at the computer after one more trip west this month.
Plenty of pretties that you need to see! Stay tuned. CT
Colorado’s Diane Kremer packages up fall in a simple pair of earrings. Subtly textured shades of orange/red/gold circles stack like a pile of leaves.
The wire that ties it all together is featured front and center. Why not?
This week’s StudioMojo wraps up my last event as I head out for another one. We’ve been cooped up too long! All that pent-up energy has to be unleashed! Come on over and see what’s new and where it’s coming from.
Maintaining the shape of extruded polymer clay flower canes as you reduce them is nearly impossible. At a recent gathering, Minnesota’s Jenny Patterson reminded me of a clever workaround.
She extrudes her canes and slices them after they’re cured!
Jenny sells at big shows (she’ll be at the Balloon show in Albuquerque) so her production skills are well honed.
She cuts the cured extrusions once they’re cool or slightly re-warms them to make them pliable depending on the brand of clay. Try it both ways to see what your clay prefers. She punches a hole in each thin slice with hole punch pliers.
We’ll be talking about several newly learned lessons (and cool new tools that make them happen) in this week’s StudioMojo. A week off the grid did my heart and my brain good. Come see why.
A notch on the top of each big polymer nose creates a secure resting place for spare glasses. No more rummaging around the house at the last minute. Iryna is a clever artist making her way through tough times. Art for organizing and for a cause.
Seattle’s Sara (g.oo.d.ee) works in a digital environment. “I don’t get the chance to craft and build physical objects with my hands as I used to,” she says.
Enter polymer clay. Her hands are now happily sketching, rolling, cutting in their off-duty moments.
Check out how this free-flowing pattern that includes glow-in-the-dark clay lights up the dance floor. Sara’s only been at this since December. Look out!
In the weekend StudioMojo newsletter, we love to suss out artists like Sara who are new to clay and take to it like ducks to water. This week’s edition looks at head-turning new designs that are commanding high prices and showing up in the most fashionable places.
Who doesn’t feel a shiver of delight as a Skinner blend drops down from between the rollers of a pasta machine?
I know there are millions of ways to layer, scratch, pound, and twist clay into intricate patterns. Yes, you can add bling, paints, inks, and sparkles. But for my money, nothing compares to the thrill of color.
These circles are from a blend (teal/fuschia/zinc) that I rolled endlessly today. The jaunty disks were inspired by a friend’s thrift store find. Her necklace was made of wooden disks. “Wouldn’t that look great in polymer?” I thought.
An off-center hole sideways through each of the smaller disks keeps the flat rounds bumping against each other in the most energetic way. It was so simple and it pleases me. What could be better than that?
Join us on Saturday mornings when StudioMojo brings a week’s worth of new ideas and inspiration to your inbox. Try it! You’ll see.