These reversible poetry rings from Julia Sober illustrate another interesting use of transfers on polymer. Julia also met the challenge of designing the metal parts to hold the polymer securely.
Julia has new polymer pieces on her web site that you won’t want to miss.
The CraftBoston site contains some great inspirations plus new images and more information about Karin Noyes(see the post below), Ford and Forlano, Louise Fischer Cozzi and others. Mary Filapek and Lou Ann Townsend are new to me. Take a look.
Thanks to Chel Micheline for her prompt tracking of more information on Karin Noyes and leading us to the Boston site.
Still prowling the ACC site, I came across Karin Noyes. It's her thoughtful color palette and the attention to cane detail that makes these traditional bowls so stunning.
There's not much other web info on Karin…her web site's under construction. Can you viewers fill me in? Or did I not Google her properly?
Thanks to Corinne Appleton for finding Karin's site!
Prowling through ACC site, I came upon this dynamite transfer work by North Carolina’s Lauren Van Hemert, her "Ephemera Collection".
Lauren’s work feels completely different from most transfers I’ve seen. Perhaps it’s her heartfelt connection to the luggage labels and stamps plus her family’s immigration story that makes the work so powerful.
I’ll be rummaging through the American Craft Council site for the next week or so. There are two reasons for this. One, it’s full of the most mouth-watering, eye-popping new work you could want. And two, I’ll be out in Seattle playing with longtime polymer friends so I’ll need to dip into my reservoir of web tips and rely on my dear daughter to do the daily post.
Only touching polymer clay via Photoshop has left me with a bit of ennui. I know I’ll feel better when I get my hands dirty and act on some of the ideas generated by all this web surfing. Enjoying morning coffees in the hot tub with good friends will help immensely as well.
The work at left is from Deborah Banyas from the ACC show. There’s some more of her recent work here but it looks like her personal site is still under construction.
Luann Udell writes about her photoshoot for the upcoming issue of American Style magazine. Her story is a fun read and her work is a treat to peruse.
Luann’s web site is dense with info and up-to-date (my bugaboo this week). The magazine will be on newsstands at the end of this month. Don’t miss it.
Some super sleuths tracked Z Kripke down. Sarajane Helm says she heard from Z recently. Seems Z and her husband have migrated to glasswork. They’re retired and doing fine…Z with some new joints. Nancy Travers found some additional clay work dated 2004 here. Thanks ladies, and I hope Z knows she’s not forgotten.
The heart here is from Libby Mills…thought we’d keep our Valentine’s theme going.
My tidbit cupboard was looking mighty bare so I was thrilled I received a link to Z Kripke. I knew Z’s work from years ago and she’s a master caner.
How disappointed was I when I found the link dated 1999 and the email bounced back? Sigh. I don’t know what’s become of Z.
Z’s work is still fun to look at.
I encourage all of you to take down the old work, put up new. We need to keep this art fresh and keep those web sites dusted and up-to-date.
Just when I think I’ve plumbed the depths of the internet, when nothing looks particularly interesting to me. Just when I’ve become the most jaded, I get a tip from an artist (in this case Susan Lamb) who leads me to work that melts my heart.
Camille Allen has a masterful touch with babies. If you’ve ever tried to make miniatures, you’ll appreciate her delicate touch and her magnificent ability to capture a baby’s softness and expression. Oh my, what a treat.
Susan says there was an urban legend going around that these babies were made of marzipan. While they do look scrumptious, they are actually made of our own inedible polymer clay.
It was a tip from Chel Micheline that led me to Tina Voyak. Tina’s simple designs in fresh colors are very appealing.
Taking a cue from our glass bead friends, polymer artists have been using extruded polymer in interesting ways…coiled and cut, sliced and applied…often reminiscent of lampworked beads.
