Texas’ Deb Hart shows the start of these petroglyphs on Instagram but how she arrives at the small squares with caned petroglyph images in the middle is still baffling.
They are built into an extruded string outline. Wow, that looks labor-intensive. She’s releasing more photos of her progress on the new inlays as she goes.
Here, she shows a Zuni Bear petroglyph and a coiled snake. Maybe she’s gearing up for a tutorial about her newly developed methods.
See an overview of Deb’s Southwest and Native American-inspired sculptures and jewelry on Flickr.
When you can’t get into the studio, looking at what others are producing is especially inspiring. “Yes, that’s what I’d be doing if I had my taxes done,” I tell myself.
Look at how Angie Wiggins layers silkscreens over a juicy blend of colors. But Angie can’t stop there. Her inner embroiderer has to add a few bits that look stitched on. Oh, I’d much rather look over Angie’s shoulder than add up columns of numbers.
Or maybe I’d rather follow Nadia (NadVals) lead and whip up some imitative turquoise. Those strands of tiny faux beads embedded in the middle of the pendant give the stone a more arty and authentic edge.
You go look, I’m pretending I’m a bookkeeper today (sigh). Some days are like that.
Luxuriate in the colors and patterns on Lynda Moseley's newest group of faux turquoise polymer pieces. She's sampled a variety of colors and experimented with all kinds of cracks and crevices. This sampler pendant combines snippets from lots of test pieces.
"What I had originally planned as a faux turquoise tutorial has morphed into a range of faux finishes using the same technique," she reports. It looks like her Faux Master Collection will be ready for prime time at the end of the month.
Lynda has a reputation for researching and refining her techniques into deceptively simple steps that make you wonder why you didn't think of that. See more of her work on Flickr, on Facebook, and watch her Etsy site for the new info.