Kansas’ Carol Beal (beadunsupervised) hits a sweet spot with this layered pendant. What grabs you? The glowing color? the intersecting lines? The overlapping shapes? Note how the cording color is repeated in a slim sliver on the edge of one layer.
The red stripe finds its way to very small bead at the bottom. Distress on the edges adds an allure too.
Don’t you love the idea of working “unsupervised” with only your very arty self suggesting what to try next? It works for Carol as you can see on Instagram and Flickr.
Utah’s Jana Roberts Benzon can’t stop carving polymer and now she understands why. Jana explains.
This newest mash-up of my carving and murmuration techniques has been rewarding, As I was making these small arrangements I realized that something felt very familiar. For 20 years, I had my own floral design company! Assembling these new little gardens woke up some old muscle memory from my floral work. There it was, ready for service! The body doesn’t forget. Those things we practice lie in wait for later use.
Textiles, illustration, painting, cooking and other crafts we’ve loved can imbue works with our history. What echoes from your past reappear in your designs?
Virginia’s Christine Harris has built a growing body of work about change, including this Transmutation which is one of her works on exhibit at Lemon Tree Gallery.
Being both a sculptor and an art therapist, Christine welcomes change and has a strong interest in art as a vehicle that makes growth possible. As a child, she was deeply affected by her trips to the cemetery every week with her great-grandmother.
That helps explain why she is drawn to mythology, nature, the animal world, and scary movies. Learn more in this YouTube video, on Facebook and her blog.
As you approach spring, are ideas of growth and the changes it brings appearing in your work?
Switzerland’s Anouk Stettler (Habetrot) looks like she’s having fun as she bends and twists ropes of polymer into earrings like these.
She explains, “I make costume jewelry. I do not use gold, silver, and gems. I am not a goldsmith. My works are made of polymer clay, leather and brass – beautiful to look at and memorable for its wearer. Its value lies in the individuality, the creative process and the time I invest in each piece.” Get Anouk’s full effect on Instagram.
After pushing ourselves toward increasingly complex shapes and techniques, it’s good to circle back to simple and delightful ideas.
If you’re looking for more info about the quirky and weird paths your fellow artists are taking, join us at StudioMojo on Saturdays where we gather the most interesting ideas, tools, and trends I run into so that you can round out your polymer education. Join us!
We love to search Artful Home from time to time to see if polymer is on target and selling in the trendy online places. Louise Fischer Cozzi’s target earrings are light and balanced. Look over her full line and be sure to note all her clever connections.
We want to stay on target for fundraising for the Namaste Tour too. Hop on over to the angels in the right column and donate in any amount. Ron Lehocky has a supply of Samunnat angels ready to fly off to your home. Contact him at [email protected]
Becoming an Instagram follower of SammunatNepal is another way to show them you’re watching and supportive. Thank you!
Virginia’s Melissa Terlizzi takes us to the jungle with her polymer Safari Portraits. On the finished piece, Melissa included two more portraits – a giraffe, and an elephant – onto the finished canvas.
She sculpts mostly wildlife and mostly for home decor, with a real fondness for her subjects and an understanding of their habitats. Note how she pulls the viewer into her scenes with layers of interest and loads of surprising details. What could have been a good animal portrait makes you part of a story.