Don’t you love the mysteries you encounter as you deconstruct a polymer piece like this one from Michigan’s Christi Uliczny (cabinefeverclay)?
“Which came first?” we ask ourselves. Interestingly light colored polymer textured ovals with baked in metal eyes were first. Then what? Color? When did the crackle go on? And then more layers of colors?
It’s dizzying to walk it backward when there are so many layers interacting with each other. You need skill and serendipity to create faux ceramics like Christi’s. She offers more clues to her favorite tools on her Instagram.
Switzerland’s Justyne Schwery continues our circle theme. Her disks are painted, crackled and distressed for a wintery, worn effect with dashes of collaged colors. The graceful domes connect and overlap each other.
Justyne gravitates to subtle, muted palettes that you can sample on Flickr and Facebook. Her colors are calm and soothing, meant to coordinate with denim and comfy sweaters. They’re perfect for the chill of the coming weekend.
Jeanette Kandray has been working in polymer for over 15 years. She’s been a go-to person for the Columbus, Ohio guild and we’re sad to see her go.
But even as she prepared to move to Pittsburgh, PA to be near family, the guild benefitted. She destashed her studio and showered guild members with supplies. Tonight the guild will say farewell.
In recent years Jeanette found her voice, developing the Shadow Cane (shown at right) and refining her own crackle technique (above) that you can read about in her free tutorial on the Sculpey site.
Our art usually reflects our life. Surrounded by packing boxes, Jeanette began making polymer drawers and boxes to match her beads and pendants. Now she’s looking forward to making bigger boxes and venturing away from jewelry. Here she is on Flickr, Pinterest and Etsy. Thanks, Jeanette!
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This very large hollow crackle pendant with a carved edge from Canada’s Claire Maunsell bursts with color, texture and excitement. Claire teaches the first class at the new Galerie Freisleben in Ubersee in August.
She says, ” I think you’ll agree that we can expect this gallery to be an exciting hub for all things polymer now and in the future, and I’m just so excited to be part of it!”
Claire is teaching surfaces in Ubersee and traveling to other venues to share her own brand of hollow forms. Claire comes from a background in hot glass so her approach to surfaces and hollow forms in polymer is quite different from others.
I’m returning to Ohio from Canada today with a renewed appreciation for the mellow Canadian vibe. My 3-year-old grandson is floating on a cloud after a visit to the top of the CN Tower in Toronto. Who knew that tickets to a tourist attraction and a ride in a glass elevator could bring such happiness? Ah, the joys of grandparenting.
This month polymer pieces from Italy’s Ariane Freisleben (Magic Toscana), Canada’s Rebecca Geoffrey, and Virginia’s Page McNall show some new variations on crackling and crazing over polymer patterns. Previously crazing came from a layer of heavy paint that cracked to show the underneath color in the crevices. The results looked good but had limited application.
Newer methods allow artists to show dark cracks while revealing the caned, inked, printed or blended designs underneath. Ariane and Rebecca both mention Tina Holden’s tutorial as their starting point and Page is probably using something similar. Some clever new twists are taking hold and I see a craze craze starting.