Spain’s Fabi Perez Ajates (Con Tus Manos) makes stacks of beads and bangles and brooches look like fascinating ceramic sculptures.
The holes and ridges and shapes in her imitative ceramic pieces all have dual purposes.
They can be worn or piled up in endlessly entertaining ways that form totems.
Fabi calls this her Coraline Jewelry since the pieces were inspired by oceanic reefs.
Scroll down Fabi’s blog to see how she plays with her jewelry. (via Sue Ossenberg)
Vancouver Island’s Janet Bouey finishes her 100-day challenge with this hollow twisted tube.
Looking at her recap on Instagram you get a sense of how muscles loosen and fear is diminished by the commitment to a daily studio exercise.
There’s no wrong or right, there’s just moving forward. I’m guessing that Janet will want to explore this new tangent from Day 95.
We’ll look at the challenges (polymer and otherwise) of the last 100 days on StudioMojo this Saturday. What have we learned? What’s next? Join us for an inside look.
Czech Republic’s Pavla Cepelikova (SaffronAddict) has taken liberties with her version of the Columbine flowers (at the top right of the photo).
The long tubes drape down and flare to reveal secret colors as they open at the bottom. Pavla likes these bell shapes in her garden and polymer will allow her to wear them on her ears.
What inspiration is blooming in your garden?
Maine’s Melanie West posts daily on Facebook about an astonishing array of artists that she’s discovered.
She rarely reveals what she’s working on. But in a July feature, she shows a new series brooches that she calls Fabric Rocks. Polymer is involved but she’s done a sleight of hand so that it’s difficult to tell what’s fabric, what’s textured polymer, and how the pattern is created.
She’s probably proudly smirking at having stumped us with her new tricks on a Monday. What’s your guess?
What would Poland’s Anna Nell make with the Skinner blends she showed on Instagram? A few days later she gives us the answer.
She says she uses translucent clay, porcelain (I’m guessing she means pearl), and glow in the dark (she calls it “night effect”). She added pastels as well and some gold leaf for bling
Anna surrounds herself with a large collection of succulent inspirations so it’s difficult to distinguish real from polymer.
At this time of year, I very much admire gardeners who can weed and prune their gardens to highlight spectacular specimens. They run to their studios to replicate them in polymer.
See how Ukraine’s Iryna Chajka suspends pansies from metal hoops.
She specializes in succulents but her pansies are outstanding.
Let’s ease into the week with eye candy from Poland’s Anna Nel.
She makes her mokume gane slices look tempting. “How hard could it be?” we ask ourselves.
Make a thin pad of colored layers, Poke some textures, and slice off the top to reveal Monday magic.
I hope your Monday surprise is as delicious as this one.
Down on your knees outdoors in your favorite jeans, you’re brought up close to the beauty of the weeds in the garden by this necklace that’s a collage of textures and shapes by Moscow’s Marina Merkulova.
Marina is part of one of those “no explanations”, “no words” challenges that asks artists to simply share their work on Facebook.
These soft rectangles and dark textures stack up in a way that’s relaxed and comforting. That’s plenty good for a summer Tuesday.
Lovely to experience the soothing effects of a few weeds pressed into clay.
Russia’s Galka Vasina is playing here. She’s swapping beautiful components to see which ones look best together. They all work in my book.
From what I can glean from the translation, Galka was inspired by Tanya Mayorova. The commenters seemed to be lamenting what’s happening on VK, their version of Etsy.
To me these cutouts and textured components look like Sona Grigoryan meets Donna Greenberg meets Henri Matisse with a 2020 twist. Lots of artists contribute along the way.
I’ll happily jump on that bandwagon. Concepts are sometimes in the air and they pick up steam as they ricochet around the world.
“All this sheltering in place is giving me the blues,” says Boston’s Betsy Baker (Stonehouse Studio).
Are you surprised by the small gem tucked in the middle of Betsy’s folded layers of polymer? There are gems hidden in this hardship and heartache. Look closely.
