Spring blooms have prompted a change in Jana Roberts Benzon’s polymer clay work.
She’s shifted her focus from canes to surfaces. Her crumpled brooch series has a luxurious fabric look and her new beads shaped from flat sheets have gone all organic.
I like to think she was working on a crane for Judy Dunn’s project and gave up in frustration only to discover a great new look. Perhaps she’ll let us in on how and why she was able to work in this new loose style. Thanks to Ronna Weltman for the link.