Wilder declares independence

Wire-wrapping has been on my radar all week. Here’s one more in Dee Wilder’s (Malodora) Butterfly Wings polymer clay bracelet – a riot of colors, beads and wire combined into a noisy, noticeable bracelet.

Dee credits a workshop with multimedia artist Mary Hettmansperger and a tutorial from Deryn Mentock for leading her to wire work. Dee’s sites show a wealth of dramatic works that range in tone from exhuberant excess to careful extruded and turned shapes to constrained micromosaics.

In an Etsy interview Dee explains that, “I feel for the first time that I have reached a level of competence where I can control my materials. I’m not just trying to duplicate techniques and processes. I’ve never [before] stayed with a medium long enough for that to happen. I am able to visualize a finished piece and execute my vision. That might not mean much to most crafters and artists, but to me it is a giant breakthrough.”

Enjoy Dee’s shower of colors like the Independence Day fireworks we’ll see this weekend!

Ronna resonance and guerrilla crafts

The eye-popping color of this polymer clay necklace by Austria’s Carina Feichtinger startled me as I plowed through the web this morning.

Carina credits Ronna’s book for inspiration (see yesterday’s post) though it’s certainly Carina’s own colors and design.

I was also touched by this guerrilla craft, polymer piece from LA’s Lauren Steven which was created for submission to Stampington as a part of Monica Magness’ “AdDRESSing the Situation” campaign to bring awareness of the murders of women in Juarez, Mexico.

The front and back of her piece is shown here. See more of Lauren’s thoughtful works in her Etsy shop.

Global polymer trends

Julie Picarello’s “Boheme” polymer clay necklace reflects a little of a trend you may have spotted. There’s a looser, almost primitive style that’s gaining ground. French polymer artists excel at the look.

Ronna Sarvis Weltman gives step-by-step instructions in her newest book, Ancient Modern, and in the past few weeks I’ve been stunned and delighted by the number of versions her book has spawned.

When a style gets in the air, it starts popping up everywhere. I like how Julie has reinterpreted the wrapped wire look to go with her unmistakable designs (and she may have never seen Ronna’s book…I didn’t check).

Grant Diffendaffer’s workshops have caused a similar phenomenon with experimental recursive molded beads popping up all over the world. Today was my day to catch up on the web and these global waves of new designs really struck me.

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