In the Guild.com site I found only one piece of polymer, this "O’Keeffe Pin" by Ford and Forlano. These two artists, the text says, "…primarily make one-of-a-kind jewelry, passing pieces back and forth between themselves at different stages in the creative process. With the introduction of precious materials such as sterling silver, gold, and pearls, their work is as bold and expressive as ever. Part of their goal is to transform an inorganic, man-made material into something that looks as if it was found on the beach, or growing in the woods."
A clue from Kathy Weaver of the Sandusky, Ohio guild led me to the site of Sharon MacLeod in Washington. Kathy had just googled around and found this artist who is new to me. I’m itching to know more.
Sharon MacLeod says of her work, "I use digitally printed paper, polymer clay, and tubing to create affordable, lightweight, one of a kind and limited production jewelry. Looking at a finished piece, the nature of the work is not obvious, and I am often asked, "What is this made of?"
Each piece is made individually and involves many steps: creating original art or altering and enhancing patterns from other sources, printing the paper, making the polymer clay pieces, gluing the paper to the clay and tubing, and assembling the components, incorporating metal elements, glass beads, and other materials. Multiple coats of matte varnish are brushed on to seal the paper surfaces, making the jewelry durable and water resistant."
Sharon worked as a graphic artist before making the transition to full-time professional craftsperson. She returned to designing and making jewelry in 1999 when she discovered the potential of using digital imaging in her jewelry design. She lives in a secluded cabin in the woods of southwest Washington state.
When I pore over sites, looking for something to tantalize you, I wait for that "aha" moment. It’s great to suspend all judgment and simply go on visceral feelings. I’ve learned to trust my gut and it’s often smarter than my head.
These fish by Pat Sernyk of Manitoba triggered an "aha" as I wandered through the Clayamies site and fantasized about the pleasure of working with artist friends in a cabin up in the woods in Canada. These rainbow trout are terrific.
A trip to Portugal inspired Krista Wells to embellish her door with polymer tiles and geckos.
Those of us with studio lust will want to look at Krista’s new studio in the town of Diligent River, Nova Scotia…a walk from the Bay of Fundy beach. It sounds idyllic.
Wild and wonderful Sarah Shriver is not to be overlooked as one of the cover girls of the month! I haven’t read the article in Belle Armoire but I hear that she’s the centerfold.
If you’ve ever tried to replicate one of her precisely repeating kaleidoscope canes then added tiny striped edges and attempted a pillow bead, you’ll begin to understand why Sarah’s work is cover material.
Here’s a nice variation from Jayne Hoffman of Portland. You’ll see more samples on her Jayzor site. Jayne comes from a quilting background which comes through in her works.
I wandered into Kate McKinnon’s site, intrigued by the ring mounts she offers. Kate works primarily in metal and glass but I detected a polymer sensibility. I kept sleuthing and stumbled onto her journal where I came across two Cynthia Toops’ pieces…aha! My sense was right. The top one she called "Moss" and the bottom one, "Conversation".
I’m only disappointed that I don’t know the exact size of these pieces. I’ve seen Toops’ work in several galleries and the incredible detail of her micro-mosaics doesn’t come across as well in photos. Still they’re fun to look at and Kate’s site is fun to browse.
Even the Columbus paper proclaimed chunky jewelry a fashion trend for 2006. Let’s hear it for polymer beads which, often as not, fall into the chunky category.
"Say hello to big hair, big shades and big jewelry in ’06." says the Dispatch. "It’s very much a ‘world story’ in accessories for ’06 with a lot of ethnic influences: African tribal with wooden beads and bangles in neutral colors. The Russian influence in a lot of accessories this season will transition into more of a Turkish and Mediterranean look of embellishments. There’s also a nautical influence with seashells. Overall, everything (handbags, jewelry, belts, etc.) is very handcrafted-looking with a lot of texture."
Check out the trendy look (pictured above) on Emma Ralph’s site in the UK. The bracelet is by Jean Yates (at the bottom of her online store).
And this from BusinessWire – Artisanal is the New Product Adjective — This is a correlating trend to the food focus and this year artisanal will go way beyond a descriptor for just cheese made by monks using milk from nomadic yaks. We will see it attached to coffee and chocolate as well as non food products. There are already artisanal knives, jewelry and home accessories in catalogs and stores. I am sure there is a small band of workers in New Jersey right now hand making something that will be in the stores next month labeled artisanal. By the way, artisanal means made by an artisan aka a skilled worker.
From Kaz and our polymer clay friends in Japan we received this New Year polymer dog for the year 2006. This is an image of a Komainu, a popular guardian dog at temples and shrines in Japan.
An auspicious beginning for our artistic new year. How can you help but predict good things for 2006?
Charles Mayer is a homegrown Ohio legend from Sandusky, Ohio. There’s not much of his work online but what’s there will give you an idea of his talent and his attention to detail. His filigree work is phenomenal.
