A slice of polymer cane artfully draped over a swinging silver loop makes a particularly breezy summer earring. The pointed elliptical shape reminds us of blooming petals.
Moscow’s Anna Kokareva says she was inspired to make these after looking at Sandra McCaw’s project in the recent Master Class book. Here’s Anna’s Flickr link.
White popped up today so let’s run with it. Barcelona’s Sona Grigoryan disregarded the color in Gaudi’s architecture and concentrated on the famous architect’s shapes that she interpreted into a polymer cuff.
Wendy Malinow took the color out of flowers and bones and applied them as a background on the platform of some summer sandals she’s working on.
Sometimes you can disregard color, focus on form instead and end up somewhere entirely new.
These pendants-in-process by Meisha Barbee begged to be photographed at the end of the conference. Right next to them a few new earrings waited to be assembled.
The angled cuts on the earrings may give you a clue that Meisha had watched Jana Roberts Benzon demonstrate her laser cut technique. But with Meisha’s distinctive color sense and handling of elements, the Benzon-like pieces retained Meisha’s vibe. What a great example of integrating a technique and sharing without simply copying!
Ron Lehocky boosted his tally of polymer hearts past the 23,000 mark this week, creating popular designs from scrap canes destashed from other artists’ studios as well as his own creations. At $10 per heart, you can calculate how much Ron has raised for the Kids Center in Louisville Kentucky. Click on the picture for a closer look.
Ron talks about how the consistent size of the heart-sized canvas has allowed him to focus on technique and explore design within the limits of the brooches’ scale. After beveling 23,000 hearts, he can undercut an edge with remarkable speed and precision. His finishing techniques are superb.
Ron’s putting together a class on Ronnie Gane, a variation he’s developed that reveals spirals and geometric shapes. He plans to teach his method when his schedule allows.
In this StudioMojo video Ron talks about how the heart project began and why creating something tangible has been so important to him. See previous posts on his progress here.
Vermont’s Meta Strick combines bits of wood, wire, beads and yarn on her art dolls. Then she dresses them in polymer. Often they carry inspirational messages. There are mixed media shrines, dolls, sculpture, buttons and more under construction here in Virginia. We’re not limited to jewelry.
Meta (rhymes with pita) is also a painter (see more here). An unexpected gift of Genesis heat-set paints prompted her to try painting on polymer this week. Turn this ragged-edged slab of polymer over and you’ll find a portrait that looks like an ancient relic. Painting on polymer could offer you a diversion next time you’re feeling exasperated with jewelry-making.
Here’s a photo of Lindly Haunani’s progress on her cane from yesterday’s post.
Lindly Haunani is working on a new tropical bracelet that uses her signature juicy colors with new shapes and ingredients. The edges of the petals pop with slightly lighter shades and texture variations.
Even as I watch her work, her way of creating seamless gradations baffles me. She checks and rechecks her colors before putting them into the long multi-color canes that she needs for production (see her test strips). It’s hard to keep my eyes on my own work surface when these colors are exploding at the next table.
Virginia’s Tina Wujick has an affinity for the Damascus cane and when she took a Skyscraper class with Iris Mishly earlier this year, she saw new possibilities. On Tina’s newest earrings black bisects the cane for added interest.
This week you’ll see snapshots of works in progress as a group of us play here in Virginia. “What if…” is our mantra as we take what we know and turn it on its head.
Tina is also making bright beads with rope edges from her bright pieces of cane as she tries to give her favorite technique her personal signature.
Dorothee Vantorre’s day-in-the-studio pictures (on Flickr and on Facebook) show off her trendy polymer designs and let us oggle her workspace. Her funny French sensibilty veers from pleasant monsters to delicate geometrics. The designs mirror her training in illustration and architecture.
Note that there aren’t many tools or tricks on her work surfaces. Dorothee relies on color and patient manipulation to build her fresh creations. Her understated raindrop earrings end in a pop of delicious color. And there’s plenty more in her Etsy shop. A little French fun to begin your week.
Two polymer artists, Jeff Dever and Annie Pennington advance polymer’s reputation by appearing in The Nature of Jewelry:Botanical Design and Symbols exhibit at the Peninsula School of Art in Fish Creek, Wisconsin.
In the show twenty-nine notable jewelry artists from throughout the US, Ireland and Canada display a sampling of process drawings and reference materials to trace the creative process for their works.
“They thought I’d add a bit of color,” says Jeff. He sent us larger pictures (gathered here) so that you could witness the color. This exhibit was a spinoff of the RAM’s Terra Nova and it runs until July 13.
These test squares from France’s Isabelle Larose/Atelierlilaroz were the results of her playing with Pavla Cepelikova’s batik tutorial. Yummy! The indigo colors had me drooling. These are my favorites from her samples here. It won’t surprise you that Anne is also interested in watercolors.
Can I squeeze experimenting with batik into my play at the conference next week? This is where Pinterest comes in handy. By skimming through my favorite board (Be Still My Heart), I’ll remind myself of the patterns, colors and emotions that ring my chimes. That will keep me on track and help me integrate these batik finishes into the work I love. Don’t worry, you’re coming along and we’ll play together. Lots of photos and tidbits.
