Madrid’s Chama Navarro gives us a break from colors and flowers with her new minimalist line of white, textured polymer clay.
Chama calls the collection her “Nurbs” and says she was inspired by the computer-generated mathematical models of the same name which are commonly used to represent freeform surfaces like aerospace exterior surfaces and car bodies.
Charma’s Nurbs look like organic forms trapped under a blanket begging to be touched. If you need color, visit the Flickr photos of her 2010 work.
My desk is littered with notes about polymer clay in the news and it’s time to tidy.
The JanuaryArt Jewelry Magazine contains two significant polymer articles, “A conversation with Kathleen Dustin” and Seth Savarick’s “Go Big with Lightweight Polymer Clay.” Kathleen shares how she plans her pieces and says that playing around with small jewelry often gives her ideas for larger works.
The articles, additional photos of Kathleen’s work, and one of Betsy Baker’s in the gallery make polymer prominent in this issue. ArtJewelry also has a terrific online gallery where readers are invited to submit their work. The brooch above is by Jan Geisen.
In her “Getting the Most from a Jewelry Class” article in the winter StepbyStepWire Magazine, Ronna Sarvas Weltman advises students to, “…push your boundaries and test the materials while you have an expert to answer your questions.” It may mean that you won’t end up with a beautiful project but you will learn more. Ronna delves into the minds of eager students and gives them sage advice.
Susan O’Neill (11BoldStreet) has won first place in Interweave’s Bead Star Contest in the plastics category for her faux turquoise choker pictured here. Winners are chosen by readers from around the globe.
These are tidbits that you’ve sent me or that I’ve come across. It’s gratifying to see more polymer articles popping up in a surprising number of publications.
Celie Fago adds carved and textured metal rings, bands, and beads to her mokume gane polymer clay bangles. Can’t you just hear them jangling? Aren’t they exotic and just a little gypsy?
My 103-year-old aunt died recently and left me a beautiful bracelet whose links and charms tinkle and clink. I swear I can smell Aunt Mary’s perfume when I hear it clatter on my arm. Celie’s pieces are rich with sounds and stories.
Keeping tabs on the polymer clay bangle trend, I roamed the world to find more examples to start your week. The ones on the left are from Austria’s Gudrun Stolz. The unusual shapes play against the smooth surfaces into which she’s carved and backfilled the designs. She’s only been working with polymer for a year.
Italy’s Laura Bocchi (Verdevescica) created the "Spazio 2" bangles on the right which are embellished with thick slices of cane or extrusions. She’s also been creating unusual flowers from combinations of wire and what looks to be liquid polymer.
It’s good to see how the bangle trend moves and changes around the world.
The link to Jan Suchodolski’s flickr site is a major inspiration and a time sucker. I went there because Tserenbadam Enkhtsetseg (Enkhe) wrote that Elise Winter’s polymer clay work was featured on this Polish blog about contemporary jewelry.
I found Elise and Ford/Forlano and was stunned by the wealth of visual inspiration on the Zero925 and Panie Przodem sites. If you’re in need of a mid-week jolt to your creative batteries, click on any of these links.