The glee that California’s Diane Greenseid takes in her small sculptures comes through loud and clear. I know nothing about what her small characters (the kids, she says) mean or how she constructs them.
It really doesn’t matter, does it? She’s obviously having a good time and really, isn’t that the point? You can sense some good stories here.
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Ohio’s Katie Oskins (Katersacres) asks if anyone’s been feeling off-kilter. Who hasn’t?
You may identify with the haggle-toothed, bug-eyed face vase Katie made to illustrate her point on Instagram.
Katie has characters like these dancing in her head and flying off her fingers. If you (like me) don’t have a brain inhabited by such creatures, you can still follow along on her tutorials and join her club of sculptors.
This guy would look good with tools and pencils sticking out, creating frazzled hair.
Atlanta’s Lisa Mathews demonstrates the power of polymer with her sculptures that illustrate the black experience. This Fourth of July, Americans are being forced to see the nation’s celebration for independence differently.
In this polymer diorama, Lisa looks at the controversial third stanza of our national them which is being scrutinized for its racial wording. The song wasn’t meant for all Americans when Francis Scott Key wrote the lyrics in 1814.
Lisa’s clear portrayals of the black experience help us look at our patriotism in a new light.
At the age of 45, with no advance planning, Lisa threw caution to the wind and pursued a career as an artist. She happened upon an instructional book, How To Make Clay Charactersby Maureen Carlson. It was through this book that she discovered what would become her passion as an artist.
Stories of artists’ passion are part of tomorrow’s StudioMojo. We’ll look at how Carissa Nichols turned her lack of vision into a passion for light and giving back. Join us to see how current events impact us all.