Spring blossoms down under

Fee (PickledGingerJewellery) gets ready for AU spring with these blooms on PolymerClayDaily.com

Australia’s Fee (PickeledGingerJewellery) is getting ready for spring with these mixed media hollow polymer flowers. The petals on these 3″ long blooms are made from leather.

Fee perfected the hollow bulb for her jellyfish earrings and the same shape comes in handy here.

They look like small pretty explosions. And they’re sold out already.

Lured by complexity

Learn complex geometry from Jana Honnerova on PolymerClayDaily.com
Learn complex geometry from Jana Honnerova on PolymerClayDaily.com

Czech Republic’s Jana Hannarova can’t stay away from complex, layered, lustrous patterns. When she’s really excited she challenges herself with hollow forms and translucent clays that reveal even more complexity. The reticulated necklace here can be worn three different ways.

It’s a good thing it’s Friday because you may need some time to examine Jana’s Flickr, Instagram and Facebook galleries of work. Join her Facebook workshop group if you’re interested in the online workshops she will offer this year.

On Saturday you can join us over at StudioMojo where we suck up inspiration from all kinds of concepts, tools and eye candy that floated by during the week. Your year is off to a great start and StudioMojo keeps the momentum going. Try it!

Soft, hollow, complex translucents

Neumaier on PCDaily

Germany’s Kathrin Neumaier has moved on from simple translucent beads to more complex shapes like the pale hollow bead below which she has electro-formed with copper.Her solid imitative glass drop earrings have a warm mellow glow about them.

Neumaier on PCDaily

Kathrin explains that her collection of long Soft String polymer necklaces are colored with inks (as shown here) or chalks. You’ll want to explore her large upload of new works to Flickr.

Spontaneous polymer

Ortiz on PCDaily

Look at the scratches and scribbles on LaLa Ortiz’ beads. She digs right in and gets to work.

While we sit here thinking about what materials she used, she’s carved (maybe…and/or drawn) with abandon. Energy and spontaneity make these beads interesting.

LaLa picked up the technique for these big hollow beads at Sandy Camp. There’s more on Instagram and Facebook.

It’s Monday. Let’s not think too much and dive in.

 

Secrets of the heart

galchen_orly_fuchs_hearts

Orly Fuchs Galchen pursues hollow polymer forms and she’s come up with light, bright empty hearts. Her Facebook  and Flickr pages and her Etsy shop are filled with examples in many styles including these wrapped with lovely bands of graduated color.

Orly swears that she only uses polymer. No filling with sugar, salt, paper, cotton or foil. No making two halves and gluing. No double baking. You have to buy her tutorial to learn her secret or be resigned to a heavy heart. (I couldn’t resist the pun.)

Cellular mashup

Kruger on PCDaily

For this pendant, Germany’s Annette Kruger (wolfschmuck) took inspiration from Eugena Topina’s polymer openwork tutorial. She also felt influenced by Melanie West’s organic cell structures.

By using layers of multiple colors (Eugena shows her samples in white) and shaping this bead as a hollow form, Annette achieves some exciting results that suggest a whole new range of possibilities.

Her first experiments show promise but miss the mark with underwhelming palettes. After several tries she scores and captures our attention. I don’t know about you, but I’m itching to try this.

See more of Annette’s efforts on Facebook and Flickr.

2014 Top Five

Arden on PCDaily

PCD’s 2014 annual report shows that readers were very curious about hollow polymer forms. Here are your five favorites:

The top attention-getting post for the year was Kim Arden’s lush summer design. She layered translucent circles and leaf shaped slices over a scrap clay striped base.

There is no denying that Kim is an attention-grabber in everything she does. On Facebook she chronicles one outrageous antic after another alongside eye-catching polymer designs. Look at her latest cat cane.

My thanks to every one of the million and a half visitors who stopped by for a look at the latest development in polymer this year. Please visit often in 2015. Happy New Year!

Spun polymer

Neumaier on PCDaily

See what Kathrin Neumaier has been up to using liquid Fimo and chalks or inks. For this December batch she uses the polymer like spun sugar to achieve a blown glass translucency.

At least that’s what I’m guessing from her cryptic captions. One of these days we’ll find out what Kathrin’s learned but for now, admire her latest experiments.

Neumaier on PCDaily

The “like” numbers and social logos that have littered the PCD pages recently are the results of my own experiments.

Fingers crossed, I think I’ve about got it sorted out. Thank you for your patience with my mess. Experiments are like that.

Hollow echoes

Krichevskaya on PCDaily

This week big, rough, natural-looking beads kept popping up all over the world. We’ve got Anna Krichevskaya (left) from Russia, Kseniya Iokhna from Belarus, and Danièle Moucadel in Italy all catching the same vibe. All different, of course, but with an emphasis on light and hollow (or with big holes which is similar).

Anna calls her necklace Jeans Forever and she sells her big, earthy, informal jewelry here.

Danièle (right) refers to her heavy cord as jump rope (or that’s how it translated). The heavy cord works well with this jumble of big rings. If you can get to her Facebook page you’ll see even more in this vein.

Kseniya (Xenia) Iokhna goes under the name of SolarBird and she lives in Minsk. She calls these hollowed out round beads Druid Stones.

 Iokhna on PCDaily

Xenia pinpoints her influences – the architect Zaha Hadid and paper artist Jeremy May. It’s easy to see the echoes in her work. Whew, there’s so much to look at these days. Have an inspired weekend.

Polymer goals

These six polymer pendants are part of Angela Garrod’s personal challenge to herself to make entirely hollow forms with unusual polymer bails.

She tints mica polymer with alcohol inks for the patterned pendants. On the black ones Angela uses matte and hi-gloss surfaces to provide more subtle tone-on-tone patterns. Rivets embedded in the clay add metallic accents. You can see more views of the pendants on Flickr.

Angela’s study reminds us that we don’t have to join a group or commit to a year-long experiment. We can simply set ourselves a goal and work toward it.

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