Ontario’s Seana Bettencourt has come through some health concerns and it looks like her creativity has been pumped into high gear.
These pendants (and more on FB) were made at a spring guild conference. Seana has taken bits of techniques she’s recently learned, mixed them with hard-won life lessons to make her own distinctive and stunning pendants that let her own spirit shine through. Exciting when that happens to us.
Mari O’Dell has been dreaming up Japanese-inspired pendants in her Annapolis, Maryland studio/treehouse.
She begins with castings made from segments of antique Japanese kashigata molds. Translucent polymer tinted to look like jadeite is pressed into the molds and cured. The elements are set aside to be assembled into finished pendants.
Mari uses a distinctive way layering on extruded Japanese design elements. Though she has limited strength in her hands, she’s devised clever extruder workarounds.
The piece is then surrounded by a bezel made of thin strips of clay and the entire work is mounted on clay backing. The final touches involve alcohol inks, heat set stamp inks and a final curing.
Follow along with more of her designs and experiments on her Instagram site.
Katya Karavaeva’s (nikamiart) pendants glow with colors that are both dark and clear. Her pendants often have rings buried on the top from which she strings them to flatter each design.
This is not your usual drill-a-hole-and-grab-a-cord approach. Look at the multi-strand and braided cords that she’s paired with her beads on Instagram.
On sale now!
The catalog from the Into the Forest exhibit is a keeper, a souvenir of a monumental event. You can now order one online by following this link.
You might also want to click on Dan Cormier’s new online Single-Slice Mokume MasterClass which debuts in January. The pre-launch, early bird pricing ends at midnight tonight (Wednesday).
The Sculpey.com store is now open and PCD readers can get an extra grand opening discount by using the promo code PCD20%
These polymer dragonfly links from California’s Annie Laura buzz with intense colors that are true to the season and the insect.
The torn, rough edges make them seem spontaneously caught and fossilized.
Annie Laura makes her own imprint molds. There’s something compelling about art that captures what you love. You can see the finished piece on her Instagram.
What do you love? Does your art capture it?
Meisha Barbee takes her bright colors down a notch for this recent series. She admits that she’s found a new love in Premo Gray Granite with its speckles buried in a rich translucent polymer.
She’s fond of thinning sheets of granite and overlaying them on other colors for depth. You’ll note resonances of Jana Roberts Benzon in the dimensional shapes and find other influences in the graphic stamps and stripes.
Still, the composition is unmistakable Meisha. If you want to see more, come on over to StudioMojo this weekend for video of some of her tricks and shortcuts.