Elise Winters’ legacy

Elise Winters, 1947-2019, portrait by Barbara Bordnick

Polymer’s finest champion, Elise Winters died on New Years Day after a long struggle with cancer.

While we absorb the sadness of her passing, it may be comforting to read How Polymer Hit the Big Time, the story written by Monica Moses about Elise in American Craft Magazine’s October/November 2011 issue.

It begins, “In the 1990s, Elise Winters became convinced polymer artists weren’t getting the money or respect they deserved. “The whole field needed to be elevated,” she says. A natural strategist and organizer, Winters set out to make that happen.”

And she did make that happen.

The Racine Art Museum (RAM) was the first to put together a permanent collection of polymer art. Then RAM director Bruce Pepich helped pave the way for smaller chunks of Winters’ collection to go to the Philadelphia Museum of Art; the Museum of Fine Arts, Boston; the Newark Museum; the Mingei International Museum in San Diego, and the Museum of Arts and Design in New York.

Elise elevated our craft and artists around the world mourn her loss. Our community will forever be in her debt.

Share your favorites with PCD

Small landscapes from Siberia's Yuliya Zharova on PolymerClayDaily.com

The simple and striking pendants by Siberia’s Yuliya Zharova (WildOnionArt) show knowledge of stark winter and spring scenes. It’s challenging to effectively show so much with a limited palette and in the small spaces that pendants and earrings allow.

Yuliya was brought to your attention by Missouri’s Heidi McCullough who creates simple wildlife ornaments of her own. When an artist strikes a chord with you, it’s great to share them with PCD. Thanks, Heidi.

Goodbye to 2018

Tory Hughes brooch entitled The Path from Nothing to Something hints at the themes of her works on PolymerClayDaily.com

In 2018 we said goodbye to Tory Hughes, one of the polymer community’s true pioneers. This piece entitled The Path from Nothing to Something hints at the ethereal, celestial themes that appeared in Tory’s works.

To close out the year, enjoy one more walk through her Santa Fe studio and savor the richness of her work. We will miss her.

Lynne Ann Schwarzenberg's caned tiger lily picks up the 2019 color of the year on PolymerClayDaily

This 2.25″ x 3.25″ tiger lily pendant by Connecticut’s Lynne Ann Schwarzenberg picks up on 2019’s Living Coral, the color of the year according to Pantone. Lynne Ann shows it on Instagram and lists it on Etsy.

She’s expert at leaf and floral canes and she’s on track for the new year.

Ready to think about what 2019 has in store for us? Come on over to StudioMojo. This weekend we’ll be looking at the challenges and trends ahead. If your mojo needs a push to move up a notch, this is the place. 

Warm up with mosaic

Syndee Holt uses pan pastels for her try out of Kim Korringa's free video on PolymerClayDaily.com

California’s Syndee Holt bypassed using scrap polymer for her mosaic jewelry based on Kim Korringa’s video. See them on Instagram.

Syndee pulled out her pan pastels and created a colorful abstract for her top layer of polymer.

This may sound confusing but it’s all explained in Kim’s video of her simple and quick way to play with a bit of clay. It makes a good warm-up exercise in case you’re in a post-holiday rut.

Christmas in a cup

Sparkling polymer with your Christmas coffee on PolymerClayDaily.com

Merry Christmas! These Christmas trees from Ludmila Eveeva sparkle with jewels.

They are decorated with rhinestones, Swarovski pearls, and pendants. She tops them with ribbons and stars. Ludmila is an instructor with the Deco Craft Academy in Russia.

Enjoy a touch of elegance with your Christmas coffee and see the rest of her bejeweled polymer decorations on Instagram.

Tres Reyes in polymer

Olga Ayala puts her culture in her art on PolymerClayDaily.com

These Tres Reyesmake up an exotic three kings ornament set from New York’s Olga Ayala.

Olga calls herself a Nuyorican (Puerto Rican New Yorker) who grew up in the heart of Spanish Harlem in New York City.

Influenced by the music and cultures around her, she infuses her polymer works with those same rhythms and colors. Here she is on Facebook.

Feliz Navidad!

This week on Saturday’s StudioMojo we’ll be figuring out how to leave a few breadcrumbs around the studio so that when the holiday hubbub settles down, you will enthusiastically follow them back to your art. 

Tiled tea tables

Bridget Derc builds complex tiles for her tables on PolymerClayDaily

The UK’s Bridget Derc has two 27 1/2″ square patio tables to cover with polymer tiles. She calculated how much clay she’d need and got busy.

Bridget shares many of her work in progress shots on Flickr. No two of the 18 tiles (each about 9″ square) are alike. Her meticulous arranging of the kaleidoscopic pieces is amazing.

Bridget Derc builds complex tiles for her tables on PolymerClayDaily

She makes assembling hundreds of pieces look so effortless that we think, “Yeah, I could totally do that.” What is it about watching someone else work so diligently that allows us to forget the herculean effort involved?

Lots of clay, lots of math, lots of patience. Then lots of satisfaction having tea on your beautiful new tables.

Last year PCD watched her work on this smaller table.

Dreaming in color

Cecilia Leonini dreams in color on PolymerClayDaily.com

What is it about the Dreaming in Color brooch by Italy’s Cecilia Leonini that feels calm, happy, and dreamy?

The gradation of her colors is masterful and the floating shapes (drawn and painted, I’m guessing) feel 3D.

The edges flip up to reveal hot red underneath.  There’s texture in the base layer and a black shadow on the edges. Super cool and totally dreamy.

You’ll find her on Facebook and Etsy.