Celie Fago adds carved and textured metal rings, bands, and beads to her mokume gane polymer clay bangles. Can’t you just hear them jangling? Aren’t they exotic and just a little gypsy?
My 103-year-old aunt died recently and left me a beautiful bracelet whose links and charms tinkle and clink. I swear I can smell Aunt Mary’s perfume when I hear it clatter on my arm. Celie’s pieces are rich with sounds and stories.
wo of Elise Winter’s pieces were designated Niche 2010 finalists in the sculpture to wear and polymer categories.
Elise is campaigning in earnest for support for the Racine Art Museum’s (RAM) polymer collection. She tells us that a Pier Voulkos’ necklace is featured on the cover of RAM’s current exhibition catalog.
For a donation of $100 or more to the polymer collection, you will receive a copy of the catalog as a premium. (Scroll down to the donation button in the right hand column here and be sure to note “catalog premium” in the comment box.) The offer is only good through November 30. Read more about the project at the PolymerArtArchive.
This polymer clay embellished amethyst stone from Italy’s Daniela (Alkhymeia) is appealing. The “hybrid” 3D look is very trendy. Daniela is a wire expert as well and you’ll find tutorials among the galleries of work on her site, in her Flickr photos, on her Facebook page and even in her Deviant gallery.
Here are some older polymer/resin and polymer/glass combinations, similar but different, from Klew.
These wonky polymer clay chrysalis pendants from Lori Wilkes made me smile with their colorful, lopsided messages. And I read that she’s in a show in my area this weekend.
I’ve seen her scarabs in the JuneBead and Button magazine, she’s had her wearable icons, story lockets, and windows in Belle Armoire. It’s about time I saw Lori’s work in person.
“Lately, I’ve spent a lot of time thinking of works that incorporate trash. Redeeming used up, throw away items is a great spiritual metaphor. It’s these stories and ideas that keep me working into the wee hours. Pushing for something new,” she says.
The response to our polymer clay and wood works at the local artfair (a few more pix here) was rewarding beyond our expectations. An article in the local news prompted old friends and neighbors to come see what we were up to.
The debut of my polymer clay rock line (called the Wilma Flintstone collection by my husband) was so enthusiastic that even the little rock cairns I created to enhance the displays ended up being hot items.
They’re not just my rocks, of course. I blame Kim Cavender for first showing me some rock tricks, and Tracy Holmes for her west coast versions. Betsy Baker makes great pebble earrings and Tory Hughes is widely recognized as the creator of the finest faux. Thanks to all of them and many others for their inspiration.
The Venice Biennale is the world’s oldest and most pretigious international forum for contemporary visual art. This year the polymer and mixed media work of New Zealand-born Francis Uprichard will be exhibited there.
Her polymer sculptures in the installation Save Yourself include searchers, dreamers, dancers; consumed by their acts of meditation or lost in reverie. One reviewer calls her a doctor of contemporary voodoo and says that,”…the mix-up of history, mischief and meaning is a potent mixture.”
The polymer community is a potent mixture too – jewelers and miniaturists, illustrators, dollmakers, celebrities, sculptors, fine artists and hobbyists around the globe. Today PCD marks 1000 posts that have covered it all – from dining room tables to the Venice Biennale. Thanks for following along!
The icing on today’s cake is the fine polymer work of Oregon artist Dede Leupold which made its online debut in her budding site and Etsy gallery. Have a sweet weekend.
Yesterday’s artist, Mary Tempesta, writes that she is from L’Aquila, Italy, the site of that monstrous earthquake in April. Mary and her family have to rebuild their home and she says, “My work with polymer has been great therapy and has given me a push to start over anew.”
Elsa Mora is a Cuban born California artist most recently known for her intricate evocative papercuts. Lucky for us, she’s picked up polymer clay again, sculpting and carving it and mixing it with recycled findings. Her bird brooches look very old…and completely new.
She explains that, “There is something about pins that make me really happy. They are like a little miracles. I often plan my outfits around them. In my collection the most important themes are flowers, birds, bugs, cameos, fruits but I also have elephants, cats, dogs, snakes.” She promises to share pictures of her pin collection soon.
Elsa’s clean quiet website is not only a treasure trove of resources, it’s an oasis of calm. Once you read her story, you begin to understand the calm and the intensity that radiates through all that Elsa does.
I’m not sure that I could successfully integrate the bits and bobs from the corners of my junk drawer into polymer clay jewelry but that’s what Christi Friesen aims to do with her new “foundpunk” line of brooches. Her impulse for reusing and recycling may be just right for our times.
France’s Christine Alibert (Xtine) combines fun fibers with her polymer brooches.
If, like me, you’ve admired these yarns but couldn’t envision a use, Christine’s work may have you heading to your fiber stash.
Combed polymer clay beads like Christine’s and this second one by Spain’s Ana Belchi have grown in popularity recently. I created combed polymer faux tiles for my stairway years ago and am happy to be back in fashion.