Oregon’s Lea Gordiner says, “My recent fantasy is a combination of birds and animals with human features. They are meant to be silly, fun, playful, nonsensical…really. Seen any birds lately with nostrils and lips let alone shoes?”
If the holiday hoopla has you in a dither, you’ll be set straight by a wander through Lea’s website and her Instagram. She has shifted to finely finished polymer boxes as well.
Lea’s Portland guild mate Laurel Swetnam turned her in. We thought it only right that Lea has a PCD post among her presents this year. Thanks for making us smile.
It seemed as though Florida’s Deb Groover (Debortina) was taunting us with this swimming pool painting that showed up on Instagram.
It turns out that she and Tina themselves are stuck in snow in Virginia.
Deb is working a little differently here with more small polymer elements in her works. The composition has a David Hockney feel to it.
Deb works on wooden panels and adds the background as the last element in her large paintings. If you need some bright sun, visit her on Instagram. See her work in person by checking her schedule for an event near you.
That’s what happens at a polymer gathering! Fires are lit and then you return home to work out the details. I’m both exhausted and rejuvenated. Want to improve your work? Take yourself back to school and experimenting this fall!
I hesitate to feature my own work but when I run out of research time, it’s the best option. Here’s the 11″ diameter bowl I inlaid last week.
I was happy to get back to my easy stripes at the Virginia conference. Rather than fight against doing the “same old, same old” I welcomed the ease of the familiar. And I had Lindly Haunani nearby to give me color guidance.
I laid narrow strips of veneer into a shallow groove in the spalted maple bowl turned by my husband, Blair Davis. There’s something comforting in knowing that the bowl is made from the tree across the street. “Spalted” is a fancy word for rotted and the tree had to go. You can see a few in-process shots on my Instagram.
Now I can get to composing this week’s Saturday newsletter and gathering up the last tidbits that surfaced at the end of Shrine Mont. Just as we were packing up, people were sharing their “one-last-thing.” And there was a sudden spring crop of tutorials online this week. Join us over at StudioMojo for the scoop.
An interesting sculpture? A grouping of succulents? Nope! This is a Mother’s Day bonanza of wooden utensils with polymer-covered handles. You know how moms love it when you gift something that’s both handmade and utilitarian.
Her bright and energetic polymer paintings are created from cutouts of fired flat designs which are adhered to wood panels. The backgrounds on her large and busy paintings are added last. Deb (and her partner Tina) come to polymer from ceramics.
In this video of Deb from a couple of years ago, she details her process which is like no other and has become very sought after. Enjoy an overview on Instagram.
Laurie Mika’s home/studio class turned antique wooden shoe lasts into vintage jewelry and polymer-encrusted shrines topped with regal crowns.
What a treasure to tuck on a bookshelf or feature on a coffee table. Important dates and words are stamped into the clay and mysterious photos become focal points. Laurie makes us want to haunt the flea markets and antique stores. Read about them on Instagram and look for a class near you on Laurie’s site.
It takes quite a stash of small colorful petal canes to create a bouquet like this polymer-on-wood painting by Forida’s Pamela Carman.
She’s textured the background on a 12″ x 12″ panel. The wallpaper and the red tablecloth plus the retro vase give the composition a feeling of depth and cohesion. See more of her petal power on Flickr, Facebook and Instagram.
Does Pamela’s piece make you want to create your own polymer painting? Sometimes jealousy is a good motivator.
One benefit of teaching is what the students teach you. Look at this imaginative Miro-like polymer inlay from Florida’s Lynn Yuhr (TheFlyingSquirrelStudio).
My class in Georgia focused on making polymer art for the domestic environment. Students quickly embraced the concepts and happily dressed up sticks, covered paper forms, and drilled holes in whatever wood they could find to inlay. You could see their attitudes change as the possibilities expanded.
Lynn brought wooden jewelry components with her to our class. She and her Florida friends at Banyan Bay are tinkering with wooden beads that can be inlaid. While they were originally thinking of designs for bead weavers, Lynn urged them to consider polymer inlay as well. The new products should be available soon.
Once you enter the land of what if, a whole new world of possibilities opens up.
I keep running into reminders of fall like these polymer clay leaves from Judith Liedtke of Dortmund, Germany. I like the spare, minimalist design. You’ll like some of her canine cane work as well.
Here in the US it’s Labor Day, our symbolic end of summer holiday.
Perhaps you’ll enjoy some pictures of the project I’m working on, a last minute entry into a local gallery show. My engineer husband created a wonderful system for firing polymer clay inlays. The system uses two paint stripping guns, a bench vice and the wind-up turntable from our aging microwave. Ingenious.