Dan Friedlander’s series of 4″x4″ white polymer tiles is a study of textures. This Colorado artist makes the process sound like a meditation – sculpting the clay with only his hands, firing the tiles in a solar oven, and giving each a poetic title. You can see how he digs deep to come up with his wide range of variations…and titles! Ann Kruglak sent the link along.
Jon Anderson lives and works in Bali. His distinctive animal sculptures, densely covered with rich polymer cane patterns, have for years been found in galleries across the US.
Now Anderson has branched out, covering custom electric guitars with polymer for Hand Guitars. Hear him talk about his 50-pound, 12-foot canes in this video (at the top of the column at right) taken at a trade show in Nashville. The guitars range from $1800 to $6000. Here are more pictures and videos of the new venture.
I’ve returned to the midwest with a head full of ideas and a suitcase full of dirty laundry. I’ll be unpacking both this week.
As a rock hound myself, it was gratifying when several artists attended our “Rockettes” session. They shared their secrets and compared their faux river rocks, beach stones and exotic pebbles. Gera’s were the most outlandish.
Gera was also the first one to spot a magical moose this week. Have a magical weekend.
One of my guilty pleasures at retreats is taking pictures of artists’ workspaces when they’ve left them for the night.
The tools and the piles of projects in process give a glimpse into how an artist works. Piles of scrap and dissarray are as intriguing as the tidiest table.
My favorite items are the personalized tools. Maybe it says something about how the artist values his or her skill, taking time to decorate a humble tool.
Kim Korringa’s work surface was littered with petal canes last night. Because she often wraps canes with Jones Tone foils, they pile up without sticking to each other.
The canes were surrounded by experiments and evidence that she was having a good time, like a littered kitchen after a particularly good party.
Maureen Carlson examines her more soulful side in her new collection of polymer totems. She says it’s a relief to sometimes leave her sweet fantasy characters behind and examine other ideas, emotions and cultures.
These modern tribal images are based on her face molds. Further decoration and coloring with alcohol inks and pencils give them distinct identities and stories. She makes the process look loose and fun.
Maureen will be teaching her new totem designs as part of her narrative bead class at the Florida Fandango retreat next May.
Jonathan Callan is a UK sculptor who mostly works with books and paper. While there’s no polymer clay here (and PCD rarely strays from polymer artists), I’m hoping that you’ll appreciate Callan’s cane brain. His “canes” are made from books and they’re simply fascinating. Could he have been influenced by polymer clay?
New ideas are flooding in from fellow artists here in Colorado. I have some lovelies to share with you tomorrow. For now, it’s back to my worktable. Today’s link came from my darling daughter.