There’s a lovely luminosity about these most recent hearts from Kentucky’s Ron Lehocky. The gold dots popping through watery colored layers lead us to summer’s end.
Because Ron builds his hearts from lots of others’ scraps, it’s hard to know the provenance of the bits and pieces he uses. His heart brooches are lovely collaborations between other’s scraps and Ron’s magic.
He’s close to making 50,000 of these for his Kids Project that receives all the proceeds from sales.
This 28″ x 34″ wood panel is decorated with 118 polymer triangles shaped over bead scoop forms and covered with scraps of patterns made by students in the polymer program at the Ohio Reformatory for Women (ORW). The piece was created for a Columbus gallery exhibit this fall.
Visiting polymer teachers have stressed the importance of balancing lights, darks and middle values for a successful piece. Still, it surprises me when this big range of colors and styles add up to one cohesive and happy image. I must also credit my husband who checks my math and mounted their works on a custom panel.
Even though they are imprisoned their art travels, communicates, and frees their spirits. The inmates send thanks to our polymer community for their support.
There are a few seats available for the September Ohio class! Maine’s Bonnie Bishoff will teach “Capturing Wire with Polymer.” Her approach to polymer is unusual and her class has received rave reviews. Sign up!
Snakes for Monday? But these snakes from Bali’s Jon Stuart Anderson are not your garden variety.
This sculptural shrine crawling with snakes and topped with a glass ball is the most densely ornamented item I’ve ever seen from Jon. He collaborated with Luke Brown and Sudida to get the imagery just right. You’ll find frogs, masks, and many more caned images hidden throughout the highly decorated piece.
Some of his in-progress shots on Facebook show how the insides and hidden parts of his works are created with the same care and attention as the main elements. Here are a top view, a closeup of patterns, an early photo without wildlife.
If you haven’t visited Jon’s site for a while, you’ll be surprised by all the new products. Jon recently had joint surgery and I thought he’d be sidelined for a while but his creativity is more apparent and he’s more prolific than ever!
Barb Alexander’s spring 2019 tour of Bali is full so she’s added a second one if Bali’s wonders (including polymer) have been on your bucket list.
Don’t take my word for it, go see for yourself how complex and exciting this 20″ Open Form Necklace from Bonnie Bishoff is.
J.M. Syron constructs the nickel silver and sterling silver wire forms which Bonnie covers with polymer patterns. The piece looks fragile but feels surprisingly sturdy because of its metal underpinnings. The colors and stripes shift subtly from link to link.
The couple’s Body Length Necklace shows another example of long slim shapes that appear ethereal and light yet have strength that allows the wearer to twist and twirl all 60″ of beads.
It takes close collaboration to make pieces that feel both well built and elegant.
It may take you a while to see the clock in this picture. The red dots on the heap of black and white patterns provide the clues.
Carol Blackburn made some of the polymer designs and then taught Tory Hughes. Tory combined her own black and white layers with Carol’s to build this sculpture/clock. “Movement feeds my spirit and nourishes my psyche,” Tory admits.
“It’s a great challenge with Carol’s patterned skins because I respond like everyone else: they are so gorgeous as a sheet of stunningly precise pattern and color that I don’t want to cut them up either! But part of why Carol and I work so well together is that the creative threshold is different for the maker versus the viewer,” Tory explains.
The two collaborators will teach their unique magic tricks on June 26-28 in Santa Fe, NM, as the next step in their Take Two series. This one’s called Take Two, Moving Along. Learn to build stunning patterns (Carol) and turn them into sculptural fabrications (Tory)!
Sing in me, muse, and through me tell a story.
– The Odyssey
Mari O’Dell and Barb Harper enshrine their skills
Let yourself become living poetry.
Maryland’s Mari O’Dell, teacher, and Colorado’s Barb Harper, airplane mechanic, combined talents for this portable personal shrine. As you might expect, Barb engineered the hinges, the rod for the prayer wheel and other structural parts. Mari concentrated on the poetry and the imagery.
Neither would have accomplished such a complex and powerful polymer piece on her own and their success has prompted them to continue their collaboration. Two heads are often better than one.
This hinged bangle bracelet is a collaboration between polymer artist Cynthia Toops and jeweler Chuck Domitrovich. The photo shows the bracelet open and lying flat. See more views here. Cynthia’s site features some new works that may rock your Monday world.
The closeups of Cynthia’s polymer micromosaic and Chuck’s description of the intense process makes you appreciate the work’s beauty even more. The piece will appear in an upcoming museum show.
One more Niche
This polymer clock from Ann Kruglak was omitted from our coverage of 2011 Niche awards. It’s a finalist in the Home Furnishings/Clocks category. Thanks to the eagle eye of Marcia Morton for the catch.
Cheryl Harris teamed up with glass artist Margaret Zinser to create this luscious necklace. The Sedona colors caught my fancy today.
Cheryl now creates her own dichroic pieces which she calls PolyDichroFusion pendants. She wraps the glass with polymer leaves and pairs them with companion beads. See her newest versions on her Flickr site and her Etsy gallery.
Hiking trips have cut short my computer time. The petroglyphs we saw today will surely show up in my work. We’ll be sitting down for studio time soon.
The show features the new jewelry and print/painting collaborations of the Steven Ford and David Forlano who carry on a back and forth dialog between Santa Fe and Philadelphia.
Steve says that he’s, “…excited about what’s happening with our print/painting collaborations. And some of that imagery is coming back into the clay work as well.” Read the story of how the new line of pins began with a mistake.