Polymer Clay Daily

Artists

Fabric inspirations, software samples

Carol Simmons shares a kaleidoscope software program that she uses to sample colors and try out designs. (Kaleider is for PCs only and offers a free trial.) Carol rotates and recombines student Nettonya Ryane’s polymer slice for amazing effect.

These colors are taken from Nettonya’s favorite fabric. Carol talks about the value of looking at fabrics for color inspiration. Many of us don’t sew and feel guilty about collecting fabrics for the simple pleasure of looking at them. No more guilt.

Carol swears she’ll work only in earthtones in Colorado. Maybe she’s cleansing her palette! Pictures from Colorado as soon as the network is more stable (apparently our group crashed it).

Primed to learn

Nothing gets us jazzed for a class more than a heap of polymer samples.

Look at the pile that Fabi (ConTusManos) has layed out on this Flickr page and her site for students in Madrid.

Our eyes immediately search for clues about how she’s managed her texture and resin tricks. The extruded bails on her pendants kick your brain into gear and you’re hooked.

Fall is back to school time. I don’t know about you but I’m primed to learn something new this week.

Polymer jellyfish

We finish the week with Bettina Welker’s jellyfish earrings that look like they were made to go with Wendy Malinow’s beach glass necklace from Tuesday’s post. Have we spotted a translucent trend? Are sea creatures in floating to the top (bad pun) in the polymer world?

Bettina’s graceful hollow forms covered by delicately colored cane slices gracefully mimic the sea creatures. Find more jellyfish here.

Next week we move from the sea to the mountains. There won’t be many words from me and I’m hoping for great pictures. I’m hoping your weekend goes swimmingly!

Sliding to Colorado

Polymer swaps can be difficult, especially when one swapper posts a picture of her first efforts which look mighty fine to my eye. The assignment is for “slides” at next week’s meeting and I’m not even sure what that is!

These pieces are from Rebecca Watkins. Barb Fajardo posted hers here.

They moved the bar up just as I moved mine down. The small canes I’d prepared and set on my workspace a few days ago baked in the hot sun that’s been streaming in the window.

It will all be fine. I smile at my insecurity and try to channel Dayle Doroshow’s self-talk (shameless self-promotion).

This little episode gives me great appreciation for those of you who produce for deadlines and shows. I’m happiest tapping quietly on my keyboard and strolling into the studio for unpressured fun. Here’s a peek at my unfinished boho/gypsy/India slides – which I’m liking after all the fuss!

Shriver’s polymer splash

Sarah Shriver sneaked a few new photos into her site recently. This end of the summer Splash bracelet is perfect for today. One last dive into the summer pool.

Sarah has been exploring unusual shapes that snuggle up against each other. She builds them in Ultralight and covers them with slices of wavy, organic polymer canes.

As I prepare to leave for a week in Colorado, I’m dangling shiny new things in front of you to keep you happy while I pack and do all the errands that I’ve put off. No time for the computer, I have to lean on old friends’ work. Thanks, Sarah.

Faux beach glass

Wendy Malinow refined and reworked the polymer sea glass idea we tinkered with together at the beginning of the summer. This Oregon coast artist can’t pass up making polymer into faux beach finds.

We were riffing on Seth Savarick’s faux glass idea that will be shown in a new book due out next spring.

Wendy adds a bit of fantasy sealife to her version and weaves her shards and coral into a necklace of delicate blue greens. Click on the image to get a bit better idea of the color close up.

The clasp on the piece blends beautifully into this end of season design.

Polymer for regeneration

Regeneration is the title of this polymer and mixed media sculpture from Christine Harris. An artist and art therapist from Virginia, she uses her artwork as “…a record of the pathways that I have taken in my process of becoming.” On her blog she shares the very personal and poignant stories behind her work. She’s featured in the first issue of the new ThePolymerArts magazine.

She adds that, “As important as it is for me to use my art to make sense of the world, it is just as important that viewers take their own experience from my work and the juxtapositions in my artwork leave room for their personal interpretations.”

What courage it takes to put so much of yourself in your art! How much do you reveal in yours? Have an inspired weekend.

Fauopal

Liz Hall and Randee Ketzel are leading a resurgence of polymer artists taking another run at making a believable opal. Their techniques are coming mighty close to fooling the eye and driving the rest of us crazy figuring out how they do it.

Liz (left) is partial to boulder and Yowah Opals. She says, “I make the initial shape with iridescent mediums embedded into many different layers and types of polymers to get these results. I finish these faux opals by coating them with resin then sanding and buffing them on the wheel.”

Randee prefers hers embedded in fossilized limestone with traces of primeval seas. They’re both obsessed with simulating opal perfectly in polymer.

Kato’s new mission

Donna Kato posted these New Mission pieces yesterday to great acclaim on her Facebook page. One comment called them “…stunning and vaguely mystical.”

Donna admits that these designs were based on 10-year-old prototypes that she’d forgotten about until someone saw them in the background of a photo and inquired. Now she’s wondering what else she forgot about that she can resurrect! It’s always fun to see what Donna’s up to here and here.