Here are a couple of openwork polymer clay pieces by Maryland’s Keith Brown to tantalize you this Monday morning.
After looking at this for a while I’m still not sure how he constructs his works and I’m intrigued. You can see that Keith has mastered the technique if you look at his bowls and trays.
Light and shadow, positive and negative – a mystery to start your week. Thanks to Bettina Welker who pointed out the new additions.
Donna Kato has provided a weekend treat for us. Just when I think canes are so “over” and boring, Donna brings back canes that pack a wallop.
Her end caps are genius and her palette is simply lovely. She describes how she cuts thickish slices and bakes her big beads on cornstarch to minimize distortion.
Return to your studio with renewed enthusiasm. Thanks, Donna (and thanks to Barb Fajardo who spotted the new beads).
I bought some Lumina air-dry polymer clay months ago when I first saw Camille Young’s work. Camille’s leaf tutorial and the ginko leaves outside my back door are prompting me to finally open the packages and give it a whirl.
How nice of her to share her techniques with us. Camille makes it look easy…experts always fool us that way. Her colors are lovely and the compositions pleasing. Go have a look.
I don’t know much about Massachusetts’ polymer clay/mixed media sculptor Max Payne but I love this slide show about her. It makes me want to poke around in her studio and rummage through her shelves of work.
Her sculptures are based on archetypes of myths and legends of the world. They represent “humans’ place in the world,” and she said, “we are a part of it, not the only thing.” Some of the sculptures convey this theme because they have human bodies with various animal heads.
In the midst of today’s hustle and bustle, it’s comforting to come across this quiet, thoughtful art. Here’s a little more about her.
Vermont’s Celie Fago has updated her site and added a blog (with only one lonely post at the moment). Her gallery is full of stunning PMC works sometimes combined with polymer clay for color and texture. Though polymer plays a less prominent role in her current work, she uses it masterfully.
Take a look at my ten year old pictures from the national retreat when Celie burst on the polymer clay scene. She helped move the community from caning to carving, inlaying, and sanding the medium. The beauty of her tools made me realize how thoroughly her aesthetic permeates her life.
Arizona’s Jill Penney (scroll way down that page) is a pop surrealist doll artist who makes polymer clay dolls that are part punk, part comic book, part anime, slightly deviant…what’s being called low-brow art.
The style has roots in tatoos and graffiti and is wildly popular on the west coast. When a pop surrealist gallery opened up in our midwest town with Penney’s dolls, I went to see what I could learn.
The craftsmanship in Penney’s dolls is impressive and her aesthetic fits perfectly in this gallery of like-minded artists. Her sassy waif-like dolls beg to be played with but their pricetags place them well beyond toy status. The blending of toys and art takes a bit of getting used to. Several serious young collectors were comparing their pricey acquisitions. The buzz reminded me of the early days of outsider art. It’s nice to see fine polymer clay art in the middle of this growing genre.
Karen Hennessey markets her polymer clay art to the needle arts crowd. The Massachusetts artist started working with polymer in the late eighties and created her company, Zecca, which makes colorful caned items designed to meet the specific needs of knitters and needlepoint enthusiasts.
Her caned patterns embellish stitch markers, scissor protectors, buttons and other needlework necessities. The patterns have infiltrated her needlepoint patterns and it’s sometimes hard to tell if you’re looking at needlepoint or a cane slice. Hennessey created a line of blank cards that combine a cane slice on patterned paper as shown here.
If you’re thinking about moving beyond your niche, take a look at how this polymer artist has found a home among related and companion artforms. Thanks to Alaska’s Katie Way who sent the link along.
I’m captivated by these polymer clay “timbuctooties and didgeridollies” by Washington’s Donna Snow. Her fiber and polymer dolls are dressed in hand worked fabrics and embellished with odds and ends.
Each of them has amazing character and they look like they’re bursting with exciting stories from their mysterious pasts. This one’s called “Wiggy the Skateboarder.” Donna gives classes throughout the year in her Port Townsend home studio.
The link was sent in by Michelle Davis Petelinz. Her boxes, frames and masks will entice you to spend some time there.
Monster Skin Rug
I couldn’t resist adding just one more thing to end this silly week. Here’s a little cashmere and polymer clay monster skin rug by Joshua Ben Long whose Longoland is a multidisciplinary funhouse including a line of twisted stuffed animals.
My sweet son picked up the link from BoingBoing. Start your weekend with a chuckle and a smile.
Popcorn and chocolates for dinner and another evening on the computer. This poor nutrition and night owl schedule can’t continue. I’m beginning to miss my husband and my normal life. I did bump into an artist who’s new to me.
England’s Debbie Carlton shows some lovely metal/polymer clay work on her Flickr site and on her own business site. She started in metals and has recently added the polymer touches for color and interest. Her work has a light, playful touch that I find appealing. I see I missed her article in the November issue of Art Jewelry magazine
Arizona’s Jon Anderson reappeared on my radar. His forms are densely covered with exceptionally intricate polymer clay cane work in muted colors.
Judy Dunn spotted Anderson’s Fimo Creations on a Wisconsin gallery’s site. Anderson’s own site shows the whole spring 2007 collection, a bonanza for animal sculpture enthusiasts.
A PCDaily viewer was worried that she hadn’t received any response back to her emails to the company. It would appear that they’re alive and well but perhaps not very communicative.
