Cathy textures layered and collaged canes and strips of colors to achieve a sunny mix that blends into a cohesive design.
In these new beads from Berkeley’s Selena Anne Wells the color comes from small surprise vintage glass cabochons embedded in black or faux ivory polymer, stained and buffed to look aged. Her mastery of simple and intricate sculptural and texturing techniques is impressive.
Digging deeper into her Flickr history gives you a peek at her other interests – masks, faces, kaleidoscopes. Though she doesn’t reveal much in words, her art tells an engaging story.
She calls her small pieces miniature abstract wearable art.
Helen Breil takes using stamps and textures to a new level with her most recent polymer clay focal beads. She introduces surprises and layers colors to provide drama.
I often hesitate to use stamps because they feel static. Helen has overcome that shortcoming with a bag of tricks that makes me want to try again. Looking at her design idea gallery is like taking a workshop.
I’m composing this post from 30,000 ft. in between time zones. Tomorrow is all about jet lag and preparing for an evening class at Craftcast.com. California beaches provided a heap of pebble research and I’m pumped for the class. Join us.
Valerie Aharoni recently updated her site and added a blog. In this post she talks about baking polymer clay beads right onto wire (or bead thread) to get that floating effect. No crimp beads! Such a simple, elegant solution. (I know that Valerie’s not the first to do this. It caught my eye.)
Look at the textured beads, like this globe, on her Flickr site as well.
Why is it that I discover things I’d like to try when I’m least able to get to the studio…what with preparations for T-day?
I’m also thinking about Lorrene Davis’ theory that the size of a woman’s jewelry is directly proportional to her age. I looked at my visiting daughter’s tiny delicate pieces and wondered if Lorrene was on to something.