It’s all-extruders, all the time here at the Mammoth Cave Extruda-Paloozain Kentucky. This Black Widow Spider by Ohio’s Chris Kibitlewski is mostly polymer. He makes the legs from the thinnest extruded tubes I’ve ever seen by using three disks (a corer and two circles).
Amy Koranek fills bottle caps with bits of Halloween-themed extrusions. Mari O’Dell is filling our heads with new ways of thinking about extruding that I’ll share next week.
Viewers at the Carthage College exhibit said that Laura Tabakman’s installation made them feel good. They described it as a meadow or a wildflower garden. The thin wires on which the flowers were mounted swayed gently as people walked by. The effect was calming, delicate, meditative and cheery.
One flower bed was tucked against the walls near the gallery entrance. A second free-standing patch of flowers created a path that guided visitors into and through the meadow.
How did she do it? Her in-process photos gathered here show how Laura moved all the furniture out of her living room to try the piece out in her Pittsburgh home. She’s used to moving the furniture. Take a look at some of her previous works.
The UK’s Lizzie Campbell (Clay Disarray) has thrown polymer right into the middle of popular culture with her Breaking Bad Polymer Poster.
“Much of my personal work is inspired by my love of films – particularly horror and dark genre, as well as slightly smaller independent films – and all of the ‘polymer posters’ I’ve worked on are for films that have creatively inspired me in some way,” she admits.
She only began with polymer a year ago and her polymer popstars, politicians and posters are quite the rage. What fun to flip through them on her site, store and in recent press. Even her business name makes you smile.
A few more hours remain for voting for the Polymer Prison Project grant on Crafthaus. No registration necessary! Don’t despair, we’re close! (The voting figures are slow to reflect the changes but your vote counts!)
Leslie Blackford is donating one fabulous Elvis to make this more exciting. Leave a comment on this post for your chance to meet Elvis and join in support of this project.
Carol Blackburn came to polymer through knitting and you can see how she has thought through her work. Her brain stacks and repeats and combines patterns and shapes that appear both engineered and organic.
For several years her strips of color have marched next to each other in increasingly interesting formations, most recently in this Striped Shell Necklace.
In her new Waves series the components now dance and flow more smoothly.
You can witness how she has evolved and moved through the process by looking at her site, at Pinterest, at Flickr and Facebook.
My traditional souvenirs from polymer events are snapshots of treasure chests. It’s a treat to share with you what artists are wearing. In this case the Racine Symposium participants wore a mix of new and vintage works.
Tracy Holmes wearing a vintage Marie Segal knitted polymer stocking cap. Annie Pennington in her latest copper and Prisma-colored polymer brooch. Sarah Shriver in a new harlequin necklace. Loretta Lam in big fall beads. Wendy Malinow’s small purse (a covered Bandaid box) made years ago after she took a Cynthia Toops class and made her one and only micro mosaic piece. Dan Cormier sporting vintage Pier Voulkos.
Please vote!
The Polymer Prison Project is slipping behind in the polls and voting ends tomorrow. Your vote on the Crafthaus site could put this important project in the lead for the grant. Leslie Blackford says she’ll make a special Elvis for one lucky voter. Vote, leave a comment (in PCD comments below) and Elvis could be yours.
The first peek at the Racine Art Museum (in)Organic show left me without words. I didn’t even catch the proper title of Jeff Dever’s creeping polymer vine piece. Here’s the front and the back.
Jeff’s was the first jaw-dropping work I encountered in a stunning show.
This is going to be a mind-blowing weekend. Yikes! I need some time to soak in the fabulous polymer art before I try to explain it to you next week
Enjoy a quiet, speechless Friday.
Madrid’s Sona Grigoryan has been experimenting with strips of newspaper coiled to make forms. Here she shapes the paper coils into a shallow round vessel.
She tops the paper bowl with ribbons of polymer wound into a traditional design that becomes a lid.
Memories of her homeland are never far from her thoughts and historic Armenian designs often appear in Sona’s works. Here polymer is braided and curled into a lovely pattern that is then textured and antiqued to look ancient.
“I’m a free artist,” she says. “I don’t live a single day without making beautiful things or thinking about them.”
Her growing body of work is cataloged on Flickr and she posts regularly to Facebook.
Holiday times remind us that polymer is fun for whimsical, silly art made with a wink and a smile. Tina Goodrich (Handmade Mom) turns ballpoint pens into carrots, corn, asparagus or pickles.
When Halloween comes around this California artist tops pens with spiders or ghosts or wraps them into mummies. She breathes new life into an old project.
She likes to play and you can play along with her on Etsy, Facebook and Pinterest.
On her profile Marie Segal lists her educational institution as Hellenback University. Her latest line of work reflects a graduate degree with honors! And she’s got new tricks up her sleeve.
Mokume gane, textures, cane slices and luscious colors are stacked onto lentil shapes. She repeats the shape again and again with each iteration more enticing than the last.
You should know that Marie is credited with being the first person to use the pasta machine to flatten polymer. She’s been at this a while and she’s teaching in the UK in November.
See what Marie’s been creating on her Etsy shops here and here, on her blog, and of course at the Clay Factory. Her most recent works are on Facebook.
