You may have seen Heather Campbell’sThe Eyes Have It on the cover of the recent PolymerArts magazine. What you might not understand is the size of Heather’s pieces. The photo below shows the same piece as it was hung at a gallery opening.
We get so used to the scale of earrings and pendants that we forget that some artists work in a much larger format.
Heather calls the style of her lush mixed media assemblages Bohemian Nouveau. The piece at the left, Enlightenment, will be at Utah’s Springville Art Museum through July.
Meredith Dittmar includes 32 sculpts and 7 wall pieces in this latest set of MindMancers for a June exhibit. The other set shown below is part of her Agents of the Mystery for the same show.
This Portland, Oregon, artist studied computer science and moved into a successful career in digital design leaving all that behind to focus on creating what she once called her psychepolymereganic tableaux and installations. She’s made thousands of her “guys” which are rapidly snatched up by collectors.
You might think that with her young twin boys she’d be slowing down. But her Facebook page shows the opposite. The pictures of her studio are a total treat. Last year she had a major show in Mexico City.
“I discovered polymer clay in ’93 when I worked at a bead store. Not too much was being done with the material at that time as it was pretty new to the market. I wouldn’t say the clay is difficult to work with, it’s just very deep and can be very technical to get certain effects. You can get pretty crazy with it if you want. Really I think I’m not even using one tenth of the knowledge base out there,” she says.
With her slingshot, black eye and peace sign, Dinka is a charmer. The translator tells us that these polymer creatures are from Olesya, a young artist in St. Petersburg. Olesya brings Dinka to life, dresses her in quirky fashions and makes her into a completely believable scamp.
The eyes of her baby seal beg for protection. If you’ve ever tried sculpting with polymer, you’ll appreciate how hard it is to build these small endearments into the clay.
Follow links to more of her characters and to her sales site. The terms of her sales site with its cash-only payments and convoluted delivery terms will make you realize how spoiled we are with our slick systems.
Some of you have been asking what happened to PCDaily coverage of sculpture, dolls, miniatures and other non-jewelry art. It’s time you had a turn! Let’s start with Laurie Mika for the first entry in an entire week of 3D.
Laurie continues to raise the bar on color with her latest works. Her inks, foils, paints, and powders layered over stamped and textured polymer achieve amazingly luminous results. Look at some closeups here and here.
Laurie mixes her media, integrating recycled bling and found icons into her assemblages. A few choice words make each piece a jewel-like shrine.
The faux ivory beads, buttons and pendants from Selena Anne Wells could have been carefully unearthed from an archaelogical dig but they’re polymer and were dug out of her Berkeley, California studio.
Selena’s beads have a cyber-tribal resonance and a Mad Max appeal achieved with just a few cutters and basic shaping tools. Some are set with cabochons.
She’s posted a whole batch of faux ceramic and metal buttons with the same ancient feel on her Flickr site. Poke a bit of clay to see what treasures emerge from your studio this weekend.
Germany’s Cornelia Brockstedt shows us another extrusion trick with these string earrings.
Thin spaghetti-size strands of polymer have been gathered at the top and bottom and formed into a pod shape. Hand-formed wire bead caps join the pod to the findings.
Cornelia’s Flickr pages are full of experiments and research. She has a background as a goldsmith and graphic designer.
Cornelia’s built an impressive repertoire of textures and shapes, submitting one each week for the guild’s Club 52 project.
Borders have a variety of uses and can easily be combined into more complex patterns. They’re handy to have on hand.
Sometimes the predictability of stack and repeat can make for pleasant polymer play. A little math and geometry fun for you. Thanks to Jeannie Havel and others who sent this link along.
Laura Timmins’new polymer Ocean Yoko necklace sends us back to the beach with its wavy bicone beads, spiraled shells and starfish strung on cord that she hand twists from embroidery thread.
It’s as if she cast a net and strung up everything she caught.
Yoko is a new addition to Laura’s Swirl Stone line for galleries which, as you might guess, are mostly located on the seashores.
One of the satisfactions of attending a workshop for polymer artists is watching how others work.
The black marks that Loretta Lam sketched across these beads gave me a clue as to where she was headed with her design. The baked gray base beads are made from blended scrap clay (ultralight and polymer) which she covered with veneers, adding a few sculptural elements and textures.
This week Loretta posted a picture of the final necklace with the juxtaposed lines, patterns and shapes all in place. The mixture of elements forces your eye around the piece and offers something interesting no matter where your focus lands.
“Stacker beads,” Amy Wallace admits, “are something I could make until the sun blows up.” This Cincinnati artist has been working on spirals since 1995 and offers a how-to tutorial on her Etsy shop. This necklace is one of her bright variations.
“For me, polymer clay isn’t about making the most complicated cane, it’s about creating inventive, spontaneous designs with hints of the past thrown in. Color is my second language,” she says.
Amy mixes seed beeds, fiber, paper, buttons into her art arsenal. Her blog is a good read with a free tutorial tucked in from time to time. Be sure to check out her polymer and seed bead embroidery and her freeform chevron beads on her Facebook page too.
