Genevieve Williamson (Jibby and Juna) started out to make polymer icicle ornaments and ended up with these cool, fluttery feathers. The ornaments that she stamped and painted and carved may morph into winged pendants. Sometimes our muse leads us off in new directions.
I’m winging off to California today for a holiday visit. My camera and computer have traveled with me, of course, and I’m keeping my eyes open for polymer clay of the west coast variety.
Grant Diffendaffer begins his new textured tube beads by making blanks. He explains that, “Any time I’ve been away for a while from the practice of making beads, I find I need an easy re-entry to get things moving again in the studio. These beads are perfect. I roll out a batch of core beads to start with. It’s a straightforward task with zero creative demands.” A good Monday tip?
The depth and texture that Grant achieves are the result of texturing and carving the color layer applied to the blank base beads. His style is agressive, sculptural and distinct. You can see more textured tube beads on his Etsy shop and his Flickr stream. Thanks to Leila Bidler of Germany for the link.
Seeing the pictures from Heather Campbell’s show opening put her polymer clay/mixed media artwork in better perspective for me. Judging from the visitors standing beside works in her exhibit, the art is much bigger than you might have envisioned. The pictures are stunning and the show is impressive. Congratulations, Heather.
Portland’s Meredith Dittmar reveals some of her process through her Flickr site photos. This fascinating insider’s view shows the scale and complexity of her vision and lets us glimpse her methods of working in 3D in polymer clay.
The piece pictured here is entitled Inter-thinking. It’s a 14″x12″ polymer clay sculpture now at Jonathan Levine, a NYC gallery that exhibits work influenced by illustration, comic books, graffiti, street art and pop culture imagery.
Some of Dittmar’s new pieces are for her December solo show at Upper Playground in Mexico City. Don’t miss her wide-ranging projects, a t-shirt design, clay illustrations for a lingerie company, an animation for a bank, and of course, her guys.
Susan Lomuto at DailyArtMuse sent the link along.
When the Niche Award finalists were posted, I tallied ten polymer clay nominees in five categories including Teapots and Fiber! I’m sure that’s a record.
The photos on the list on Niche’s site are frustratingly small. Guess we’ll have to wait to see them up close.
And our rumor mill missed Wiwat Kamolpornwijit’s entry. (He just sent this photo.) Read about Wiwat on this site as well as on his personal pages. Thanks to Janice Abarbanel for spotting the Niche news.
The metalsmiths now have their own IPhone app, iMakeJewelry, thanks to Victoria Lansford. Can an app for polymer folks be far behind?
Thanksgiving tip: Those turkey baking bags come in handy for baking polymer clay in your home oven in a pinch. No mess, no smell, no oily residue.
These polymer clay tab and slot faux pebble beads are a new design for me. In fact, they’re a first effort and I’ve been test driving them to make sure the pebbles aren’t too delicate for wearing in real life. They’ve passed the test nicely.
In the upcoming online class at Craftcast with Alison Lee I’ve promised to tell everything I know about polymer pebble making. That sent me back to the studio to figure out just what I do know. Uncomfortable situations often provide the spark I need for creative solutions.
This is my newest trick and I can see using for lots of non-pebble applications as well. Join me and Alison on December 2.
You can look behind the scenes at Cynthia Toop’s latest polymer clay work by visiting the Flickr site of her Seattle jeweler/metalwork designer, Chuck Domitrovich.
His descriptions give you a sense of how the two collaborate and design their projects like this Summer Storm brooch which was part of a two-piece series.
Leaves
Raking the last of the colorful leaves in our yard today made me think of this recent delightful polymer/wood branch by Afsaneh Tajvidi (JooJoo). The piece provides a fall landscaping backdrop for her snail series.
Class photos usually include nice first efforts, simple projects and smiling group shots. The pictures from Sandra McCaw‘s classes in France are much more worth examining.
The class canes (at left) are very accomplished, the project pin (below) is lovely, and the group photos show the artists riding horses on beach! Great stuff to inspire your week.
HuereBlue captures students’ progress on her Flickr site and Chifonie shows her workshop pix here. Sandra’s making a return visit to Europe in 2010 with additional stops in Switzerland.
(Sandra’s been refining her method for years. I’ve gotten a lot of mileage out of these old snapshots.)
Jana Lehmann (Feeliz) from Stuttgart, Germany, has added a blog (in addition to her Flickr pages) where you can watch her polymer clay progress.
Taking classes with Grant Diffendaffer and Donna Kato helped her refine her technique and find her own “cosmic” voice. Jana’s playful planets and dimensional space beads are smartly crafted from a bright luscious color palette.
The color studies she’s created from lessons in Lindly and Maggie’s color book look like paint store swatches and make me want create a new set.
Celie Fago adds carved and textured metal rings, bands, and beads to her mokume gane polymer clay bangles. Can’t you just hear them jangling? Aren’t they exotic and just a little gypsy?
My 103-year-old aunt died recently and left me a beautiful bracelet whose links and charms tinkle and clink. I swear I can smell Aunt Mary’s perfume when I hear it clatter on my arm. Celie’s pieces are rich with sounds and stories.
Ohio’s Grace Stokes‘ polymer clay work is featured on the promotions for our big Winterfair show in December. You’ll find her newest works, elegant combinations of metal clay and polymer, on her Crafthaus page.
Because group sites have made it so easy to upload photos, many artists are updating their profiles and adding new work to their page within the group instead of freshening their individual formal sites. The upside is that we’re seeing new works faster.
I count seven polymer artists in the show program. Looks like a good year.
